So You Want To Be A Wizard Диана Дуэйн Diane Duane Young Wizards #1 Thirteen-year-old Nita Callahan finally finds a way to get back at the notorious school bullies, Joanne and her gang, when she discovers a library book on the art of wizardry. She hardly dares to believe the book's claim that she too can become a wizard if she's willing to take the Wizard's Oath and undergo the danger of a wizard's initiation, the Ordeal. But to her astonishment and delight, her new Wizard's Manual is telling her the truth. While practicing her first spells, Nita meets Kit Rodriguez, another young wizard, and starts working with him to find a solution to her bullying problem. Cover for mass-market paperback edition of So You Want To Be a Wizard What they get, though, doesn't look much like a solution. Kit and Nita suddenly find themselves dealing with a "white hole" named Fred, who's arrived on Earth with an urgent message regarding the mystical Book of Night with Moon. The Book is missing…and has to be found quickly if dire things aren't going to start happening to the Earth. It's not long before the search for the bright Book leads Nita and Kit to a deadly alternate Manhattan, where they encounter man-eating helicopters, vicious packs of killer cabs, and the terrible wolflike perytons, which attack them at every turn. Despite the danger, Kit and Nita are determined to rescue the Book of Night with Moon from the lair of the dragon who presently possesses it. But can they keep it out of the clutches of the Lone Power, the ancient darkness cast out long ago from the heart of the worlds?… Prologue Part of the problem, Nita thought to herself as she tore desperately down Rose Avenue, is that I can't keep my mouth shut. She had been running for five minutes now, hopping fences, sliding side-ways through hedges, but she was losing her wind. Some ways behind her she could hear Joanne and Glenda and the rest of them pounding along in pursuit, threatening to replace her latest, now- fading black eye. Well, Joanne would come up to her with that new bike, all chrome and silver and gearshift levers and speedometer/odometer and toeclips and waterbottle, and ask what she thought of it. So Nita had told her. Actually, she had told Joanne what she thought of her. The bike was all right. In fact, it had been almost exactly the one that Nita had wanted so much for her last birthday — the birthday when she got nothing but clothes. Life can be really rotten sometimes, Nita thought. She wasn't really so irritated about that at the moment, however. Running away from a beating was taking up most of her attention. "Callahan, " came a yell from behind her, "I'm gonna pound you up and mail you home in bottles!" I wonder how many bottles it'll take, Nita thought, without much humor. She couldn't afford to laugh. With their bikes, they'd catch up to her pretty quickly. And then… She tried not to think of the scene there would be later at home — her father raising hands and eyes to the ceiling, wondering loudly enough for the whole house to hear, "Why didn't you hit them back?"; her sister making belligerent noises over her new battlescars; her mother shaking her head, looking away silently, because she understood. It was her sad look that would Nita more than the bruises and scrapes and swollen face would. Her mom would shake her head, and clean the hurts up, and sigh…. Crud! Nita thought. The breath was coming hard to her now. She was going to have to try to hide, to wait them out. But where? Most of the people around here didn't want kids running through their yards. There was Old Crazy Swale's house with its big landscaped yard, but the rumors among the neighborhood kids said that weird things happened in there. Nita herself had noticed that the guy didn't go to work like normal people. Better to get beat up again than go in there. But where can I hide? She kept on running down Rose Avenue, and the answer presented itself to her: a little brown- brick building with windows warmly alight — refuge, safety, sanctuary. The library. It's open, it's open, I forgot it was open late on Saturday! Oh, thank Heaven! The sight of it gave Nita a new burst of energy. She cut across its tidy lawn, loped up the walk, took the five stairs to the porch in two jumps, bumped open the front door and closed it behind her, a little too loudly. The library had been a private home once, and it hadn't lost the look of one despite the crowding of all its rooms with bookshelves. The walls were paneled in mahogany and oak, and the place smelled warm and brown and booky. At the thump of the door Mrs. Lesser, the weekend librarian, glanced up from her desk, about to say something sharp. Then she saw who was standing there and how hard she was breathing. Mrs. Lesser frowned at Nita and then grinned. She didn't miss much. "There's no one downstairs, " she said, nodding at the door that led to the children's library in the single big basement room. "Keep quiet and I'll get rid of them. " "Thanks, " Nita said, and went thumping down the cement stairs. As she reached the bottom, she heard the bump and squeak of the front door opening again. Nita paused to try to hear voices and found that she couldn't. Doubting that her pursuers could hear her either, she walked on into the children's library, smiling slightly at the books and the bright posters. She still loved the place. She loved any library, big or little; there was something about all that knowledge, all those facts waiting patiently to be found that never failed to give her a shiver. When friends couldn't be found, the books were always waiting with something new to tell. Life that was getting too much the same could be shaken up in a few minutes by the picture in a book of some ancient temple newly discovered deep in a rainforest, a fuzzy photo of Uranus with its up- and-down rings, or a prismed picture taken through the faceted eye of a bee. And though she would rather have died than admit it — no respectable thirteen-year-old ever set foot down there — she still loved the children's library too. Nita had gone through every book in the place when she was younger, reading everything in sight — fiction and nonfiction alike, fairy tales, science books, horse stories, dog stories, music books, art books, even the encyclopedias. (Bookworm,) she heard the old jeering voices go in her head, (foureyes, smartass, hide-in-the-house-and-read. Walking encyclopedia. Think you're so hot.) "No," she remembered herself answering once, "I just like to find things out!" And she sighed, feeling rueful. That time she had found out about being punched in the stomach. She strolled between shelves, looking at titles, smiling as she met old friends, books she had read three times or five times or a dozen. Just a title, or an author's name, would be enough to summon up happy images. Strange creatures like phoenixes and psammeads, moving under smoky London day-light of a hundred years before, in company with groups of bemused children; starships and new worlds and the limitless vistas of interstellar night, outer space challenged but never conquered; princesses in silver and golden dresses, princes and heroes carrying swords like sharpened lines of light, monsters rising out of weedy tarns, wild creatures that talked and tricked one an-other I used to think the world would be like that when I got older. Wonderful all the time, exciting, happy. Instead of the way it is— Something stopped Nita's hand as it ran along the bookshelf. She looked and found that one of the books, a little library-bound volume in shiny red buckram, had a loose thread at the top of its spine, on which her finger had caught. She pulled the finger free, glanced at the title. It was one of those "So You Want to Be a… "books, a series on careers. So You Want to Be a Pilot there had been, and So You Want to Be a Scientist… a Nurse… a Writer… But this one said So You Want to Be a Wizard. A what? Nita pulled the book off the shelf, surprised not so much by the title as by the fact that she'd never seen it before. She thought she knew the whole stock of the children's library. Yet this wasn't a new book. It had plainly been there for some time — the pages had that yellow look about their edges, the color of aging, and the top of the book was dusty, so you want to be a wizard. hearnssen, the spine said: that was the author's name. Phoenix Press, the publisher. And then in white ink, in Mrs. Lesser's tidy handwriting, 793. 4: the Dewey Decimal number. This has to be a joke, Nita said to herself. But the book looked exactly like all the others in the series. She opened it carefully, so as not to crack the binding, and turned the first few pages to the table of contents. Normally Nita was a fast reader and would quickly have finished a page with only a few lines on it; but what she found on that contents page slowed her down a great deal. "Preliminary Determinations: A Question of Aptitude. " "Wizardly Preoccupations and Predilections. " "Basic Equipment and Milieus. " "Introduction to Spells, Bindings and Geasa. " "Familiars and Helpmeets: Advice to the Initiate. " "Psychotropic Spelling. Psychowhat? Nita turned to the page on which that chapter began, looking at the boldface paragraph beneath its title. WARNING Spells of power sufficient to make temporary changes in the human mind are always subject to sudden and unpredictable backlash on the user. The practitioner is cautioned to make sure that his/her motives are benevolent before attempting spelling aimed at… I don't believe this, Nita thought. She shut the book and stood there holding it in her hand, confused, amazed, suspicious — and delighted. If it was a joke, it was a great one. If it wasn't— No, don't be silly. But if it isn't— People were clumping around upstairs, but Nita hardly heard them. She sat down at one of the low tables and started reading the book in earnest. The first couple of pages were a foreword. Wizardry is one of the most ancient and misunderstood of arts. Its public image for centuries has been one of a mysterious pursuit, practiced in occult surroundings, and usually used at the peril of one's soul. The modern wizard, who works with tools more advanced than bat's blood and beings more complex than medieval demons, knows how far from the truth that image is. Wizardry, though exciting and interesting, is not a glamorous business, especially these days, when a wizard must work quietly so as not to attract undue attention. For those willing to assume the Art's responsibilities and do the work, though, wizardry has many rewards. The sight of a formerly twisted growing thing now growing straight, of a snarled motivation untangled, the satisfaction of hearing what a plant is thinking or a dog is saying, of talking to a stone or a star, is thought by most to be well worth the labor. Not everyone is suited to be a wizard. Those without enough of the necessary personality traits will never see this manual for what it is. That you have found it at all says a great deal for your potential. The reader is invited to examine the next few chapters and determine his/her wizardly potential in detail — to become familiar with the scope of the Art — and finally to decide whether to become a wizard. Good luck! SO It's a joke, Nita thought. Really. And to her own amazement, she wouldn't herself — she was too fascinated. She turned to the next chapter. PRELIMINARY DETERMINATIONS An aptitude for wizardry requires more than just the desire to practice the art. There are certain inborn tendencies, and some acquired ones, that enable a person to become a wizard. This chapter will list some of the better documented of wizardly characteristics. Please bear in mind that it isn't necessary to possess all the qualities listed, or even most of them. Some of the greatest wizards have been lacking in the qualities possessed by almost all others and have still achieved startling competence levels. Slowly at first, then more eagerly, Nita began working her way through the assessment chapter, pausing only to get a pencil and scrap paper from the checkout desk, so that she could make notes on her aptitude. She was brought up short by the footnote to one page— Where ratings are not assigned, as in rural areas, the area of greatest population density will usually produce the most wizards, due to the thinning of worldwalls with increased population concentration… Nita stopped reading, amazed. "Thinning of worldwalls" — were they saying that there are other worlds, other dimensions, and that things could get through? Things, or people? She sat there and wondered. All the old fairy tales about people falling down wells into magical countries, or slipping backward in time, or forward into it — did this mean that such things could actually happen? If you could actually go into other worlds, other places, and come back again… Aww — who would believe anybody who came back and told a story like that? Even if they took pictures? But who cares! she answered herself fiercely. If only it could be true…. She turned her attention back to the book and went on reading, though skeptically— the whole thing still felt like a game. But abruptly it stopped being a game, with one paragraph: Wizards love words. Most of them read a great deal, and indeed one strong sign of a potential wizard is the inability to get to sleep without reading something first. But their love for and fluency with words is what makes wizards a force to be reckoned with. Their ability to convince a piece of the world— a tree, say, or a stone — that it's not what it thinks it is, that it's something else, is the very heart of wizardry. Words skillfully used, the persuasive voice, the persuading mind, are the wizard's most basic tools. With them a wizard can stop a tidal wave, talk a tree out of growing or into it — freeze fire, burn rain — even slowdown the death of the Universe. That last, of course, is the reason there are wizards. See the next chapter. Nita stopped short. The universe was running down, all the energy in it was slowly being used up; she knew that from astronomy. "Entropy, " the process was called. But she'd never heard anyone talk about slowing it down before. She shook her head in amazement and went on to the "correlation" section at the end of that chapter, where all the factors involved in the makeup of a potential wizard were listed. Nita found that she had a lot of them — enough to be a wizard, if she wanted to. In rising excitement she turned to the next chapter. "Theory and Implications of Wizardry, " its heading said. "History, Philosophy, and the Wizards' Oath. " Fifty or sixty eons ago, when life brought itself about, it also brought about to accompany it many Powers and Potentialities to manage the business of creation. One of the greatest of these Powers held aloof for a long time, watching its companions work, not wishing to enter into Creation until it could contribute something unlike anything the other Powers had made, something completely new and original. Finally the Lone Power found what it was looking for. Others had invented planets, light, gravity, space. The Lone Power invented death, and bound it irrevocably into the worlds. Shortly thereafter the other Powers joined forces and cast the Lone One out. Many versions of this story are related among the many worlds, assigning blame or praise to one party or another. However, none of the stories change the fact that entropy and its symptom, death, are here now. To attempt to halt or remove them is as futile as attempting to ignore them. Therefore there are wizards — to handle them. A wizard's business is to conserve energy — to keep it from being wasted. On the simplest level this includes such unmagical-looking actions as paying one's bills on time, turning off the lights when you go out, and supporting the people around you in getting their lives to work. It also includes a great deal more. Because wizardly people tend to be good with language, they can also become skillful with the Speech, the magical tongue in which objects and living creatures can be described with more accuracy than in any human language. And what can be so accurately described can also be preserved — freed to become yet greater. A wizard can cause an inanimate object or animate creature to grow, or stop growing — to be what it is, or something else. a wizard, using the Speech, can cause death to slow down, or go somewhere else and come back later — just as the Lone Power caused it to come about in the first place. Creation, preservation, destruction, transformation — all are a matter of causing the fabric of being to do what you want it to. And the Speech is the key. Nita stopped to think this over for a moment. It sounds like, if you know what something is, truly know, you don't have any trouble working with it. Like my telescope — if it acts up, I know every piece of it, and it only takes a second to get it working again. To have that kind of control over — over everything—live things, the world, even… She took a deep breath and looked back at the book, beginning to get an idea of what kind of power was implied there. The power conferred by use of the Speech has, of course, one insurmountable limitation: the existence of death itself. As one renowned Senior Wizard has remarked, "Entropy has us outnumbered. " No matter how much preserving we do, the Universe will eventually die. But it will last longer because of our efforts — and since no one knows for sure whether another Universe will be born from the ashes of this one, the effort seems worthwhile. No one should take the Wizards' Oath who is not committed to making wizardry a lifelong pursuit. The energy invested in a beginning wizard is too precious to be thrown away. Yet there are no penalties for withdrawal from the Art, except the knowledge that the Universe will die a little faster because of energy lost. On the other hand, there are no prizes for the service of Life — except life itself. The wizard gets the delight of working in a specialized area — magic — and gets a good look at the foundations of the Universe, the way things really work. It should be stated here that there are people who consider the latter more of a curse than a blessing. Such wizards usually lose their art. Magic does not live in the unwilling soul. Should you decide to go ahead and take the Oath, be warned that an ordeal of sorts will follow, a test of aptitude. If you pass, wizardry will ensue…. Yeah? Nita thought. And what if you don't pass? "Nita?" Mrs. Lesser's voice came floating down the stairs, and a moment later she herself appeared, a large brunette lady with kind eyes and a look of eternal concern. "You still alive?" "I was reading. " "So what else is new? They're gone. " "Thanks, Mrs. L. " "What was all that about, anyway?" "Oh… Joanne was looking to pick a fight again. " Mrs. Lesser raised an eyebrow at Nita, and Nita smiled back at her shamefacedly. She didn't miss much. "Well, I might have helped her a little. " "I guess it's hard, " Mrs. Lesser said. "I doubt I could be nice all the time, myself, if I had that lot on my back. That the only one you want today, or should I just have the nonfiction section boxed and sent over to your house?" "No, this is enough, " Nita said. "If my father sees too many books he'll just make me bring them back. " Mrs. Lesser sighed. "Reading one book is like eating one potato chip, " she said. "So you'll be tack Monday. There's more where that came from. I'll check it out for you. " Nita felt in her pockets hurriedly. "Oh, crud. Mrs. L., I don't have my card. " "So you'll bring it back Monday, " she said, handing her back the book as they reached the landing, "and I'll stamp it then. I trust you. " "Thanks, " Nita said. "Don't mention it. Be careful going home, " Mrs. Lesser said, "and have a nice read. " "I will. " Nita went out and stood on the doorstep, looking around in the deeping gloom. Dinnertime was getting close, and the wind was getting cold, with a smell of rain to it. The book in her hand seemed to prickle a little, as if it were impatient to be read. She started jogging toward home, taking a circuitous route — up Washington from Rose Avenue, then through town along Nassau Road and down East Clinton, a path meant to confound pursuit. She didn't expect that they would be waiting for her only a block away from her house, where there were no alternate routes to take. And when they were through with her, the six of them, one of Nita's eyes was blackened and the knee Joanne had so carfully stomped on felt swollen with liquid fire. Nita just lay there for a long while, on the spot where they left her, behind the O'Donnells' hedge; the O'Donnells were out of town. There she lay, and cried, as she would not in front of Joanne and the rest, as she would not until she was safely in bed and out of her family's earshot. Whether she provoked these situations or not, they kept happening, and there was nothing she could do about them. Joanne and her hangers-on had found out that Nita didn't like to fight, wouldn't try until her rage broke loose — and then it was too late, she was too hurt to fight well, all her self-defense lessons went out of her head with the pain. And they knew it, and at least once a week found a way to sucker her into a fight — or, if that failed, they would simply ambush her. All right, she had purposely baited Joanne today, but there'd been a fight coming anyway, and she had chosen to start it rather than wait, getting angrier and angrier, while they baited her. But this would keep happening, again and again, and there was nothing she could do about it. Oh, I wish we could move. I wish Dad would say something to Joanne's father — no, that would just make it worse. If only something could just happen to make it stop! Underneath her, where it had fallen, the book dug into Nita's sore ribs. The memory of what she had been reading flooded back through her pain and was followed by a wash of wild surmise. If there are spells to keep things from dying, then I bet there are spells to keep people from hurting you…. Then Nita scowled at herself in contempt for actually believing for a moment what couldn't possibly be more than an elaborate joke. She put aside thoughts of the book and slowly got up, brushing herself off and discovering some new bruises. She also discovered something else. Her favorite pen was gone. Her space pen, a present from her Uncle Joel, the pen that could write on butter or glass or upside down, her pen with which she had never failed a test, even in math. She patted herself all over, checked the ground, searched in pockets where she knew the pen couldn't be. No use; it was gone. Or taken, rather — for it had been securely clipped to her front jacket pocket when Joanne and her group jumped her. It must have fallen out, and one of them picked it up. "Aaaaaagh!" Nita moaned, feeling bitter enough to start crying again. But she was all cried out, and she ached too much, and it was a waste. She stepped around the hedge and limped the little distance home. Her house was pretty much like any other on the block, a white frame house with fake shutters; but where other houses had their lawns, Nita's had a beautifully landscaped garden. Ivy carpeted the ground, and the flowerbeds against the house had something blooming in every season except the dead of winter. Nita trudged up the driveway without bothering to smell any of the spring flowers, went up the stairs to the back door, pushed it open, and walked into the kitchen as nonchalantly as she could. Her mother was elsewhere, but the delicious smells of her cooking filled the place; veal cutlets tonight. Nita peered into the oven, saw potatoes baking, lifted a pot lid and found corn- on-the-cob in the steamer. Her father looked up from the newspaper he was reading at the dining-room table. He was a big, blunt, good-looking man, with startling silver hair and large capable hands—"an artist's hands!" he would chuckle as he pieced together a flower arrangement. He owned the smaller of the town's two flower shops, and he loved his work dearly. He had done all the landscaping around the house in his spare time, and around several neighbors' houses too, refusing to take anything in return but the satisfaction of being up to his elbows in a flowerbed. Whatever he touched grew. "I have an understanding with the plants, " he would say, and it certainly seemed that way. It was people he sometimes had trouble understanding, and particularly his eldest daughter, "My Lord, Nita!" her father exclaimed, putting the paper down flat on the table. His voice was shocked. "What happened?" As if you don't know! Nita thought. She could clearly see the expressions going across her father's face. MiGod, they said, she's done it again! why doesn't she fight back? What's wrong with her? He would get around to asking that question at one point or another, and Nita would try to explain it again, and as usual her father would try to understand and would fail. Nita turned away and opened the refrigerator door, peering at nothing in particular, so that her father wouldn't see the grimace of impatience and irritation on her face. She was tired of the whole ritual, but she had to put up with it. It was as inevitable as being beaten up. "I was in a fight, " she said, the second verse of the ritual, the second line of the scene. Tiredly she closed the refrigerator door, put the book down on the counter beside the stove, and peeled off her jacket, examining it for rips and ground-in dirt and blood. "So how many of them did you take out?" her father said, turning his eyes back to the newspaper. His face still showed exasperation and puzzlement, and Nita sighed. He looks about as tired of this as I am. But really, he knows the answers. "I'm not sure, " Nita said. "There were six of them. " "Six!" Nita's mother came around the corner from the living room and into the bright kitchen — danced in, actually. Just watching her made Nita smile sometimes, and it did now, though changing expressions hurt. She had been a dancer before she married Dad, and the grace with which she moved made her every action around the house seem polished, endlessly rehearsed, lovely to look at. She glided with the laundry, floated while she cooked. "Loading the odds a bit, weren't they?" "Yeah. " Nita was hurting almost too much to feel like responding to the gentle humor. Her mother caught the pain in her voice and stopped to touch Nita's face as she passed, assessing the damage and conveying how she felt about it in one brief gesture, without saying anything that anyone else but the two of them might hear. "No sitting up for you tonight, kidlet, " her mother said. "Bed, and ice on that, before you swell up like a balloon. " "What started it?" her dad asked from the dining room. "Joanne Virella, " Nita said. "She has a new bike, and I didn't get as excited about it as she thought I should. " Nita's father looked up from the paper again, and this time there was discomfort in his face, and regret. "Nita, " he said, "I couldn't afford it this month, really. I thought I was going to be able to earlier, but I couldn't. I wish I could have. Next time for sure. " Nita nodded. "It's okay, " she said, even though it wasn't really. She'd wanted that bike, wanted it so badly — but Joanne's father owned the big five-and-dime on Nassau Road and could afford three-hundred-dollar bikes for his children at the drop of a birthday. Nita's father's business was a lot smaller and was prone to what he called (in front of most people) "cash-flow problems" or (in front of his family) "being broke most of the time. " But what does Joanne care about cash flow, or any of the rest of it? I wanted that bike! "Here, dreamer, " her mother said, tapping her on the shoulder and breaking her thought. She handed Nita an icepack and turned back toward the stove. "Go lie down or you'll swell worse. I'll bring you something in a while. " "Shouldn't she stay sitting up?" Nita's father said. "Seems as if the fluid would drain better or something. " "You didn't get beat up enough when you were younger, Harry, " her mother said. "If she doesn't lie down, she'll blow up like a basketball. Scoot, Nita. " She scooted, around the corner into the dining room, around the second corner into the living room, and straight into her little sister, bumping loose one of the textbooks she was carrying and scattering half her armload of pink plastic curlers. Nita's father raised his eyebrows and turned his attention back to his paper as Nita bent to help pick things up again. Her sister, bent down beside her, didn't take long to figure out what had happened. "Virella again, huh?" she said. Dairine was eleven years old, redheaded as her mother, gray- eyed as Nita, and precocious; she was taking tenth-grade English courses and breezing through them, and Nita was teaching her some algebra on the side. Dairine had her father's square-boned build and her mother's grace, and a perpetual, cocky grin. She was a great sister, as far as Nita was concerned, even if she was a little too smart for her own good. "Yeah, " Nita said. "Look out, kid, I've gotta go lie down. " "Don't call me kid. You want me to beat up Virella for you?" "Be my guest, " Nita said. She went on through the house, back to her room. Bumping the door open, she fumbled for the light switch and flipped it on. The familiar maps and pictures looked down at her — the National Geographic map of the Moon and some enlarged Voyager photos of Jupiter and Saturn and their moons. Nita eased herself down onto the bottom bunk bed, groaning softly — the deep bruises were beginning to bother her now. Lord, she thought, what did I say? If Dari does beat Joanne up, I'll never hear the end of it. Dairine had once been small and fragile and subject to being beaten up — mostly because she had never learned to curb her mouth either — and Nita's parents had sent her to jujitsu lessons at the same time they sent Nita. On Dari, though, the lessons took. One or two overconfident kids had gone after her, about a month and a half into her lessons, and had been thoroughly and painfully surprised. She was protective enough to take Joanne on and, horrors, throw her clear over the horizon. It would be all over school; Nita Callahan's little sister beat up the girl who beat Nita up. Oh, no! Nita thought. Her door opened slightly, and Dari stuck her head in. "Of course, " she said, "if you'd rather do it yourself, I'll let her off this time. " "Yeah, " Nita said, "thanks. " Dairine made a face. "Here, " she said, and pitched Nita's jacket in at her, and then right after it the book. Nita managed to field it while holding the icepack in place with her left hand. "You left it in the kitchen, " Dairine said. "Gonna be a magician, hull? Make yourself vanish when they chase you?" "Sure. Go curl your hair, runt. " Nita sat back against the headboard of the bed, staring at the book. Why not? Who knows what kinds of spells you could do? Maybe I could turn Joanne into a turkey. As if she isn't one already. Or maybe there's a spell for getting lost pens back. Though the book made it sound awfully serious, as if the wizardry were for big things. Maybe it's not right to do spells for little stuff like this — and anyway, you can't do the spells until you've taken the Oath, and once you've taken it, that's supposed to be forever. Oh, come on, it's a joke! What harm can there be in saying the words if it's a joke? And if it's not, then… Then I'll be a wizard. Her father knocked on her door, then walked in with a plate loaded with dinner and a glass of cola. Nita grinned up at him, not too widely, for it hurt. "Thanks, Dad. " "Here, " he said after Nita took the plate and the glass, and handed her a couple of aspirin. "Your mother says to take these. " "Thanks. " Nita took them with the Coke, while her father sat down on the edge of the bed. "Nita, " he said, "is there something going on that I should know about?" "Huh?" "It's been once a week now, sometimes twice, for quite a while. Do you want me to speak to Joe Virella and ask him to have a word with Joanne?" "Uh, no, sir. " Nita's father stared at his hands for a moment. "What should we do, then? I really can't afford to start you in karate lessons again—" "Jujitsu. " "Whatever. Nita, what is it? Why does this keep happening? Why don't you hit them back?" "I used to! Do you think it made a difference? Joanne would just get more kids to help. " Her father stared at her, and Nita flushed hot at the stern look on his face. "I'm sorry, Daddy, I didn't mean to yell at you. But fighting back just gets them madder, it doesn't help. " "It might help keep you from getting mangled every week, if you'd just keep trying!" her father said angrily. "I hate to admit it, but I'd love to see you wipe the ground up with that loudmouth rich kid. " So would I, Nita thought. That's the problem, She swallowed, feeling guilty over how much she wanted to get back at Joanne somehow. "Dad, Joanne and her bunch just don't like me. I don't do the things they do, or play the games they play, or like the things they like — and I don't want to. So they don't like me. That's all. " Her father looked at her and shook his head sadly. "I just don't want to see you hurt. Kidling, I don't know… if you could just be a little more like them, if you could try to…. " He trailed off, running one hand through his silver hair. "What am I saying?" he muttered. "Look. If there's anything I can do to help, will you tell me?" "Yessir. " "Okay. If you feel better tomorrow, would you rake up the backyard a little? I want to go over the lawn around the rowan tree with the aerator, maybe put down some seed. " "Sure. I'll be okay, Dad. They didn't break anything. " "My girl. " He got up. "Don't read so much it hurts your eyes, now. " "I won't, " Nita said. Her father strode out the door, forgetting to close it behind himself as usual. She ate her supper slowly, for it hurt to chew, and she tried to think about something besides Joanne or that book. The Moon was at first quarter tonight; it would be a good night to take the telescope out and have a look at the shadows in the craters, Or there was that fuzzy little comet, maybe it had more tail than it did last week. It was completely useless. The book lay there on her bed and stared at her, daring her to do something childlike, something silly, something absolutely ridiculous, Nita put aside her empty plate, picked up the book, and stared back at it. "All right, " she said under her breath. "All right. " She opened the book at random. And on the page to which she opened, there was the Oath. It was not decorated in any way. It stood there, a plain block of type all by itself in the middle of the page, looking serious and important. Nita read the Oath to herself first, to make sure of the words. Then, quickly, before she could start to feel silly, she read it out loud. " 'In Life's name, and for Life's sake, ' " she read, " 'I say that I will use the Art for nothing but the service of that Life. I will guard growth and easel pain. I will fight to preserve what grows and lives well in its own way; and I will change no object or creature unless its growth and life, or that of the system of which it is part, are threatened. To these ends, in the practice of my Art, I will put aside fear for courage, and death for life, when it is right to do so — till Universe's end. ' " The words seemed to echo slightly, as if the room were larger than it really was. Nita sat very still, wondering what the ordeal would be like, wondering what would happen now. Only the wind spoke softly in the leaves of the trees outside the bedroom window; nothing else seemed to stir anywhere. Nita sat there, and slowly the tension began to drain out of her as she realized that she hadn't been hit by lightning, nor had anything strange at all happened to her. Now she felt silly — and tired too, she discovered. The effects of hen beating were catching up with her. Wearily Nita shoved the book under hen pillow, then lay back against the headboard and closed her hurting eyes. Sol much for the joke. She would have a nap, and then later she'd get up and, take the telescope out back. But right now… right now…. After a while, night was not night any more; that was what brought Nita to the window, much later. She leaned on the sill and gazed out in calm wonder at her backyard, which didn't look quite the same as usual. A blaze of undying morning lay over everything, bushes and trees cast light instead of shadow, and she could see the wind. Standing in the ivy under her window, she turned her eyes up to the silver-glowing sky to get used to the brilliance. How about that, she said. The backyard's here too. Next to her, the lesser brilliance that gazed up at that same sky shrugged slightly. Of course, it said. This is Timeheart, after all. Yes, Nita said anxiously as they passed across the yard and out into the bright shadow of the steel and crystal towers, but did I do right? Her companion shrugged again. Go find out, it said, and glanced up again. Nita wasn't sure she wanted to follow the glance. Once she had looked up and seen — I dreamed you were gone, she said suddenly. The magic stayed, but you went away. She hurt inside, enough to cry, but her companion flickered with laughter. No one ever goes away forever, it said. Especially not here. Nita looked up, then, into the bright morning and the brighter shadows. The  day went on and on and would not end, the sky blazed now like molten silver… The Sun on her face woke Nita up as usual. Someone, her mother probably, had come in late last night to cover her up and take the dishes away. She turned over slowly, stiff but not in too much pain, and felt the hardness under her pillow. Nita sat up and pulled the book out, felt around for her glasses. The book fell open in her hand at the listing for the wizards in the New York metropolitan area, which Nita had glanced at the afternoon be-fore. Now she looked down the first column of names, and her breath caught. CALLAHAN, Juanita L., 243 E. Clinton Ave., Hempstead NY 11575 {516)555-6786. (novice, pre-rating) Her mouth fell open. She shut it. I'm going to be a wizard! she thought. Nita got up and got dressed in a hurry. Preliminary Exercises She did her chores that morning and got out of the house with the book as fast as she could, heading for one of her secret places in the woods. If weird things start happening, she thought, no one will see them there. Oh, I'm going to get that pen back! And then. , Behind the high school around the corner from Nita's house was a large tract of undeveloped woodland, the usual Long Island combination of scruh oak, white pine, and sassafras. Nita detoured around the school, pausing to scramble over a couple of chain-link fences. There was a path on the other side; after a few minutes she turned off it to pick her way carefully through low underbrush and among fallen logs and tree stumps. Then there was a solid wall of clumped sassafras and twining wild blackberry bushes. It looked totally impassable, and the blackberries threatened Nita with their thorns, but she turned sideways and pushed through the wall of greenery undaunted. She emerged into a glade walled all around with blackberry and gooseberry and pine, sheltered by the overhanging branches of several trees. One, a large crabapple, stood near the edge of the glade, and there was a flatfish half-buried boulder at the base of its trunk. Here she could be sure no one was watching. Nita sat down on the rock with a sigh, put her back up against the tree, and spent a few moments getting comfortable — then opened the book and started to read. She found herself not just reading, after a while, but studying — cramming the facts into her head with that particular mental stomp she used when she knew she was going to have to know something by heart. The things the book was telling her now were not vague and abstract, as the initial discussion of theory had been, but straightforward as the repair manual for a new car, and nearly as complex. There were tables and lists of needed resources for working spells. There were formulas and equations and rules. There was a syllabary and pronunciation guide for the 418 symbols used in the wizardry Speech to describe relationships and effects that other human languages had no specific words for. The information went on and on — the book was printed small, and there seemed no end to the things Nita was going to have to know about. She read about the hierarchy of practicing wizards — her book listed only those practicing in the U.S. and Canada, though wizards were working everywhere in the world — and she scanned down the listing for the New York area, noticing the presence of Advisory wizards, Area Supervisors, Senior wizards. She read through a list of the "otherworlds" closest to her own, alternate earths where the capital of the United States was named Huictilopochtli or Lafayette City or Hrafnkell or New Washington, and where the people still called them-selves Americans, though they didn't match Nita's ideas about the term. She learned the Horseman's Word, which gets the attention of any member of the genus Equus, even the zebras; and the two forms of the Mason's Word, which give stone the appearance of life for short periods. One chapter told her about the magical creatures living in cities, whose presence even the nonwizardly people suspect sometimes — creatures like the steambreathing fireworms, packratty little lizards that creep through cracks in building walls to steal treasures and trash for their lair-hoards under the streets. Nita thought about all the steam she had seen coming up from manhole covers in Manhattan and smiled, for now she knew what was causing it. She read on, finding out how to bridle the Nightmare and learning what questions to ask the Transcendent Pig, should she meet him. She read about the Trees' Battle — who fought in it, and who won it, and why. She read about the forty basic classes of spells and their subclasses. She read about Timeheart, the unreal and eternal realm where the places and things people remember affectionately are preserved as they remember them, forever. In the middle of the description of things preserved in their fullest beauty forever, and still growing, Nita found herself feeling a faint tingle of unease. She was also getting tired. She dropped the book in her lap with an annoyed sigh, for there was just too much to absorb at one sitting, and she had no clear idea of where to begin. "Crud," she said under her breath. "I thought I'd be able to make Joanne vanish by tomorrow morning... " Nita picked the manual up again and leafed through it to the section labeled "Preliminary Exercises." The first one was set in a small block of type in the middle of an otherwise page. To change something, you must first describe it. To describe something, you must first see it. Hold still in one place for as long as it takes to see something. Nita felt puzzled and slightly annoyed. This didn't sound much like magic. But obediently she put the book down, settled herself more comfortably against the tree, folded her arms, and sighed. It's almost too warm to think about anything serious… What should I look at? That rock over there? Naah, it's kind of a dull-looking rock. That weed. , look how its leaves go up around the stem in a spiral… Nita leaned her head back, stared up through the crabtree's branches. That rotten Joanne. Where would she have hidden that pen? I wonder. Maybe if I could sneak into her house somehow, maybe there's a spell for that… Have to do it after dark, I guess. Maybe I could do it tonight… wish it didn't take so long to get dark this time of year. Nita looked at the sky where it showed between the leaves, a hot blue mosaic of light with here and there the fireflicker of sun showing through, shifting with the shift of leaves in the wind. There are kinds of patterns — the wind never goes through the same way twice, and there are patterns in the branches but they're never quite the same either. And look at the changes in the brightness. The sky is the same but the leaves cover sometimes more and sometimes less… the patterns… the patterns, they… they… (They won't let you have a moment's rest,) the crabapple tree said irritably. Nita jumped, scraping her back against the trunk as she sat up straight. She had heard the tree quite plainly in some way that had nothing to do with spoken words. It was light patterns she had heard, and wind movements, leafrustle, fireflicker. (Finally paid attention, did you?) said the tree. (As if one of them isn't enough, messing up someone's fallen-leaf pattern that's been in progress for fifteen years, drawing circles all over the ground and messing up the matrices. Well? What's your excuse?) Nita sat there with her mouth open, looking up at the words the tree was making with cranky light and shadow. It works. It works! "Uh," she said, not knowing whether the tree could understand her, "I didn't draw any circles on your leaves—" (No, but that other one did,) the tree said. (Made circles and stars and diagrams all over Telerilarch's collage, doing some kind of power spell. You people don't have the proper respect for artwork. Okay, so we're amateurs,) it added, a touch of belligerence creeping into its voice. (So none of us have been here more than thirty years. Well, our work is still valid, and—) "Uh, listen, do you mean that there's a, uh, a wizard out here somewhere doing magic?" (What else?) the tree snapped. (And let me tell you, if you people don't—) "Where? Where is she?" (He,) the tree said. (In the middle of all those made-stone roads. I remember when those roads went in, and they took a pattern Kimber had been working on for eighty years and scraped it bare and poured that black rock over it. One of the most complex, most—) He? Nita thought, and her heart sank slightly. She had trouble talking to boys. "You mean across the freeway, in the middle of the interchange? That green place?" (Didn't you hear me? Are you deaf? Silly question. That other one must be not to have heard Teleri yelling at him. And now I suppose you'll start scratching up the ground and invoking powers and ruining my collage. Well, let me tell you—} "I, uh — listen, I'll talk to you later," Nita said hurriedly. She got to her feet, brushed herself off, and started away through the woods at a trot. Another wizard? And my God, the trees— Their laughter at her amazement was all around her as she ran, the merriment of everything from foot-high weeds to hundred-foot oaks, rustling in the wind — grave chuckling of maples and alders, titters from groves of sapling sassafras, silly giggling in the rasp-berry bushes, a huge belly-laugh from the oldest hollow ash tree before the freeway interchange. How could I never have heard them before! Nita stopped at the freeway's edge and made sure that there were no cars coming before she tried to cross. The interchange was one of those cloverleaf affairs, and the circle formed by one of the offramps held a stand of the original pre-freeway trees within it, in a kind of sunken bowl. Nita dashed across the concrete and stood a moment, breathless, at the edge of the downslope, before starting down it slantwise. This was another of her secret places, a spot shaded and peaceful in sum-mer and winter both because of the pine trees that roofed the hollow in. But there was nothing peaceful about it today. Something was in the air, and the trees, irritated, were muttering among themselves. Even on a foot-thick cushion of pine needles, Nita's feet seemed to be making too much noise. She tried to walk softly and wished the trees wouldn't stare at her so. Where the slope bottomed out she stopped, looking around her nervously, and that was when she saw him. The boy was holding a stick in one hand and staring intently at the ground underneath a huge shag-larch on one side of the grove. He was shorter than she was, and looked younger, and he also looked familiar somehow. Now who is that? she thought, feeling more nervous still. No one had ever been in one of her secret places when she came there. out the boy just kept frowning at the ground, as if it were a test paper and he was trying to scowl the right answer out of it. A very ordinary-looking kid, with straight black hair and a Hispanic look to his face, wearing a beat-up  green windbreaker and jeans and sneakers, holding a willow wand of a type that Nita's book recommended for certain types of spelling. He let out what looked like a breath of irritation and put his hands on his hips. "Cofones" he muttered, shaking his head — and halfway through the shake, he caught sight of Nita. He looked surprised and embarrassed for a moment, then his face steadied down to a simple worried look. There he stood regarding Nita, and she realized with a shock that he wasn't going to yell at her, or chase her, or call her names, or run away himself. He was going to let her explain herself, Nita was amazed. It didn't seem quite normal. "Hi," she said. The boy looked at her uncertainly, as if trying to place her. "Hi." Nita wasn't sure quite where to begin. But the marks on the ground, and the willow wand, seemed to confirm that a power spell was in progress. "Uh," she said, "I, uh, I don't see the oak leaves. Or the string," The boy's dark eyes widened. "So that's how you got through!" "Through what?" "I put a binding spell around the edges of this place," he said. "I've tried this spell once or twice before, but people kept showing up just as I was getting busy, and I couldn't finish." Nita suddenly recognized him, "You're the one they were calling crazy last week." The boy's eyes narrowed again. He looked annoyed. "Uh, yeah. A couple of the eighth graders found me last Monday. They were shooting up the woods with BB guns, and there I was working. And they couldn't figure out what I was doing, so at lunch the next day they said—" "I know what they said." It had been a badly rhymed song about the kid who played with himself in the woods, because no one else would play with him. She remembered feeling vaguely sorry for the kid, whoever he was; boys could be as bad as girls sometimes. "1 thought I blew the binding too," he said. "You surprised me." "Maybe you can't bind another wizard out," Nita said. That was it, she thought. If he's not one— "Uhh… I guess not." He paused. "I'm Kit," he said then. "Christopher, really, but I hate Christopher." "Nita," she said. "It's short for Juanita. I hate that too. Listen — the trees are mad at you." Kit stared at her. "The trees?" "Uh, mostly this one." She looked up into the branches of the shag-larch, which were trembling with more force than the wind could lend them. "See, the trees do — I don't know, it's artwork, sort of, with their fallen leaves — and you started doing your power schematic all over their work, and, uh—" "Trees?" Kit said, "Rocks I knew about, I talked to a rock last week — or it talked to me, actually — though it wasn't talking, really… " He looked up at the tree. "Well, hey, I'm sorry," he said. "I didn't know. I'll try to put things back the way I found them. But I might as well not have bothered with the spell," he said, looking again at Nita. "It got caught, it's not work-ing. You know anything about this?" He gestured at the diagram he had drawn on the cleared ground, and Nita went to crouch down by it. The pattern was one she had seen in her book, a basic design of interlocking circles and woven parallelograms. There were symbols drawn inside the angles and outside the curves, some of them letters or words in the Roman alphabet, some of them the graceful characters of the wizardly Speech. "I just got my book yesterday," she said. "I doubt I'll be much help. What were you trying to get? The power part of it I can see." She glanced up and found Kit looking with somber interest at her black eye. "I'm getting tired of being beat up just because I have a Spanish ac-cent," he said. "I was going to attract enough power to me so that the big kids would just leave me alone and not start anything. An 'aura,' the book called it. But the spell got stuck a couple of steps in, and when I checked the book it said that I was missing an clement." He looked questioningly at Nita. "Maybe you're it?" "Uhh—" She shook her head. "I don't know. I was looking for a spell for something different. Someone beat me up and stole my best pen. It was a space pen, the kind the astronauts have, and it writes on anything, and I always took all my tests with it and I always pass when I use it, and I want it back." She stopped, then added, "And I guess I wouldn't mind if they didn't beat me up any more either." "We could make a finding spell and tie it into this one," Kit said. "Yeah? Well, we better put these needles back first." "Yeah." Kit stuck the willow wand in his back pocket as he and Nita worked to push the larch's needles back over the cleared ground. "Where'd you get your book?" Nita said. 'In the city, about a month ago. My mother and father went out antique hunting, there's this one part of Second Avenue where all the little shops are and one place had this box of secondhand books, and I stopped to look at them because I always look at old books — and this one caught my eye. My "and, actually. I was going after a Tom Swift book underneath it and it Pinched me… " Nita chuckled. "Mine snagged me in the library," she said. "I don't know... I didn't want Joanne — she's the one who beat me up — I didn't want her to get my pen, but I'm glad she didn't get this" She pulled her copy of the book out of her jacket as Kit straightened up beside her. She looked over at him. "Does it work?" she demanded. "Does it really work?" Kit stood there for a moment, looking at the replaced needles. "I fixed my dog's nose," he said. "A wasp stung him and I made it go down right away. And I talked to the rock." He looked up at Nita again. "C'mon," he said. "There's a place in the middle where the ground is bare. Let's see what happens." Together they walked to the center of the hollow, where the pine trees made a circle open to the sky and the ground was bare dirt. Kit pulled out his willow wand and began drawing the diagram again. "This one I know by heart," he said. "I've started it so many times. Well, this time for sure." He got his book out of his back pocket and consulted it, beginning to write symbols into the diagram. "Would you look and see if there's anything else we need for a finding spell?" "Sure." Nita found the necessary section in the index of her book and checked it. "Just an image of the thing to be found," she said. "I have to make it while you're spelling. Kit, do you know why this works? Leaves, pieces of string, designs on the ground. It doesn't make sense." Kit kept drawing. "There's a chapter on advanced theory in there, but I couldn't get through it all the way. The magic is supposed to have something to do with interrupting space—" "Huh?" "Listen, that's all I could get out of it. There was this one phrase that kept turning up, 'temporospatial claudication.' I think that's how you say it. It's something like, space isn't really empty, it folds around things — or words— and if you put the right things in the right place and do the right things with them, and say the right things in the Speech, magic happens. Where's the string?" "This one with all the knots in it?" Nita reached down and picked it up. "Must have fallen out of my pocket. Stand on this end, okay?" He dropped one end of the string into the middle of the diagram, and Nita stepped onto it. Kit walked around her and the diagram with its using the end of the string to trace a circle. Just before he came to the place where he had started, he used the willow wand to make a sort of figure-eight mark—a "wizards' knot," the book had called it—and closed the circle with it. Kit tugged at the string as he stood up, Nita let it go, and Kit coiled it and put it away. "You've got to do this part yourself," Kit said. "I can't write your name for you—each person in a spelling does their own. There's a table in there with all the symbols in it—" Nita scuffed some pages aside and found it, a long list of English letters and numbers, and symbols in the Speech. She got down to look at Kit's name, so that she could see how to write hers, and group by group began to puzzle the symbols out. "Your birthday's August twenty-fifth?" "Uh huh." Nita looked at the symbol for the year. "They skipped you a couple grades, huh?" "Yeah. It's rotten," Kit said, sounding entirely too cheerful as he said it. Nita knew that tone of voice—it was the one in which she usually answered loanne back, while trying to hide her own fear of what was sure to happen next. "It wouldn't be so bad if they were my age," Kit went on, looking over Nita's shoulder and speaking absently. "But they keep saying things like 'If you're so smart, 'ow come you talk so funny?' " His imitation of their imitation of his accent was precise and bitter. "They make me sick. Trouble is, they outweigh me." Nita nodded and started to draw her name on the ground, using the substitutions and symbols that appeared in her manual. Some of them were simple and brief; some of them were almost more complex than she believed possible, crazy amalgams of curls and twists and angles like those an insane stenographer might produce. She did her best to reproduce them, and tied all the symbols together, fastening them into a circle with the same wizards' knot that Kit had used on the outer circle and on his own name. "Done?" Kit said. He was standing up again, tracing the outer circle around one more time. "Yup." "Okay." He finished the tracing with another repetition of the wizards' knot and straightened up; then he put his hand out as if to feel something in the air. "Good," he said. "Here, come check this." "Check what?" Nita said; but she got up and went over to Kit. She put out her hand as he had, and found that something was resisting the movement of her hand through the air—something that gave slightly under increased pres-sure, like a mattress being pushed down and then springing back again. Nita felt momentarily nervous. "Can air get through this?" I think so. I didn't have any trouble the last couple of times I did it. It's only supposed to seal out unfriendly influences." Nita stood there with her hand resting against nothing, and the nothing supported her weight. The last of her doubts about the existence of magic went away. She might have imagined the contents of the book, or been Purposely misreading. She might have dozed off and dreamed the talking «ee. But this was daylight, the waking world, and she was leaning one-handed on empty air! "Those guys who came across you when you had this up," she said, "what d" d they think?" U", it worked on them too. They didn't even understand why they couldn't get at me — they thought it was their idea to yell at me from a distance. They thought they were missing me with the BB guns on purpose too, to scare me. It's true, what the book said. There are people who couldn't see a magic if it bit them." He glanced around the finished circle. "There are other spells like this that don't need drawings after you do them the first time, and when you need them, they're there really fast — like if someone's about to try beating you up. People just kind of skid away from you… " "I bet," Nita said, with relish. Thoughts of what else she might be able to do to Joanne flickered through her head, but she pushed them aside for the moment. "What next?" "Next," Kit said, going to the middle of the circle and sitting down care-fully so as not to smudge any of the marks he'd made, "we read it. Or I read most of it, and you read your name. Though first you have to check my figuring." "How come?" Nita joined him, avoiding the lines and angles. "Two person spell — both people always check each other's work. But your name, you check again after I do." Kit was already squinting at her squiggles, so Nita pulled out her book again and began looking at the symbols Kit had drawn in the dirt. There were clearly two sides to the diagram, and the book said they both had to balance like a chemical equation. Most of the symbols had numerical values attached, for ease in balancing, and Nita started doing addition in her head, making sure both sides matched. Eventually she was satisfied. She looked again at her name, seeing nothing wrong. "Is it okay?" "Yeah." Kit leaned back a little. "You have to be careful with names, it says. They're a way of saying what you are—and if you write something in a spell that's not what you are, well… " "You mean…you change… because the spell says you're some-thing else than what you are? You become that?" Kit shrugged, but he looked uneasy. "A spell is saying that you want something to happen," he said. "If you say your name wrong—" Nita shuddered. "And now?" "Now we start. You do your name when I come to it. Then, the goal part down there — since it's a joint goal, we say it together. Think you can do it okay if I go slow?" "Yeah." Kit took a deep breath with his eyes closed, then opened his eyes and began to read. Nita had never heard a voice speaking a spell aloud before, and the effect was strange. Ever so slightly, ever so slowly, things began to change around her. The tree-sheltered quiet grew quieter. The cool light that filtered through the canopy of branches grew expectant, fringed with secrecy the way things seen through the edge of a lens are fringed with rainbows. Nita began to feel as if she was caught in the moment between a very vivid dream and the awakening from it. There was that feeling of living in a body — of being aware of familiar surroundings and the realities of the daylight world waiting to be resumed — yet at the same time seeing those surroundings differently, colored with another sort of light, another kind of time. On one level Nita heard Kit reciting a string of polysyllables that should have been meaningless to her — words for symbols, pieces of words, babble. Yet she could also hear Kit talking, saying casually, and, it seemed, in English, "We need to know something, and we suggest this particular method of finding the information. " And the words didn't break the expectancy, the listening silence. For once, for the first time, the dream was real while Nita was awake. Power stirred in the air around her and waited for her to shape it. Magic. She sat and listened to Kit. With each passing second she could catch more clearly the clean metallic taste of the equation as it began to form itself, flickering chill and bright in her mind. Kit's speech was giving it life, and with quiet, flowing efficiency it was going about its purpose. It was invoking the attention of what Nita might have called physical laws, except that there was nothing physical about them — they had to do with flows of a kind of power as different from ordinary energy as energy was from matter. The equation stretched and coiled and caught those powers within itself as the words wove it. Nita and Kit were caught in it too. To Nita it seemed as if, without moving, she held out her hands, and they were taken — by Kit, and by the spell itself, and by the ponderous powers caught across from her in the dance. There was a pause: Kit looked across the diagrams at her. Nita scowled at the symbols beside her and began to read them, slowly and with some hesitation — naming herself one concept or one symbol at a time, hinding herself into the spell. At first she was scared, for she could feel the strangeness folding in close around her. But then she realized that nothing awful was happening, and as her name became part of the spell, that was what was sliding down around her, protecting her. She finished, and she was out of breath, and excited, and she had never been happier in her life. Kit's voice came in again then, picking up the weave, rejoining the dance, and it went for a while, the strange words and the half-seen, half-felt movements and images falling into a rhythm of light and sound and texture, a song, a poem, a spell. It began to come whole all around them, and all around the tingling air stayed still to better hold the words, and the trees bent close to listen. Kit came to the set of symbols that stood for his name and who he was, and read them slowly and carefully, Nita felt the spell settle down around 'ro too. He finished it and glanced up at Nita, and together they began the  goal section of the spell. Nita did her best to make a clear image of the pen as she spoke — the silver case, gone a little scratched and grubby now, her initials incised up on the top. She hardly had time to wonder at the harmony their paired voices made before things began to change again. The shadows of the trees around them seemed to grow darker; the aura of expectancy grew sharp enough to taste. The silence became total, and their voices fell into it as into a great depth. The formula for their goal, though longer than either of their names had been, seemed to take less time to say — and even stranger, it began to sound like much more than just finding a pen and being left alone. It began to taste of starfire and night and motion, huge and controlled, utterly strange. Saying the formula left Kit and Nita breathless and drained, as if something powerful had briefly been living and speaking through them and had worn them down. They finished the formula together, and gulped for air, and looked at each other in half-frightened expectation, wondering what would happen next. The completed spell took effect. Nita had thought that she would gradually begin to see something, the way things had changed gradually in the grove. The spell, though, had its own ideas. Quick as a gasp it slammed them both out of one moment and into another, a shocking, wrenching transition like dreaming that you've fallen out of bed, wham! Instinctively they both hung on to the spell as if onto a railing, clutching it until their surroundings steadied down. The darkness had been replaced by a lowering, sullen-feeling gloom. They looked down as if from a high balcony onto a shadowed island prisoned between chill rivers and studded with sharp spikes of iron and cold stone. (Manhattan?) Kit asked anxiously, without words. Nita felt frozen in place like a statue and couldn't turn to answer him — the spell was holding her immobile. (It looks like Manhattan,) she said, feeling just as uneasy. (But what's my pen doing there:') Kit would have shaken his head if he could have. (I don't get it. What's wrong here? This is New York City — but it never looked this awful, this dirty and nasty and…) He trailed off in confusion and dismay. Nita looked around her. It was hard to make out anything on the island— there was a murky pall over the city that seemed more than just fog. There was hardly any traffic that she could see, and almost no light — in fact, in all of Manhattan there were only two light sources. In one place on the island-the cast Fifties, it looked like — a small point of brittle light seemed to pulse right through steel and stone, throbbing dully like a sown seed of wildfire waiting to explode. The pulses were irregular and distressing, and the light was painful to look at. Some blocks to the south, well into the financial district near the south end of the island, another fire burned, a clear white spark like a sunseed, beating regularly as a heart. It was consoling, but it was very small. (Now what?) Nita said. (Why would my pen be in this place?) She looked down at the dark grainy air below them, listened to the brooding silence like that of a beast of prey ready to spring, felt the sullen buildings hunching themselves against the oppressive sky — and then felt the something malevolent and alive that lay in wait below — a something that saw them, was conscious of them, and was darkly pleased. (Kit, what's that?) (It knows!) Kit's thought sang with alarm like a plucked string. (It knows we're here! It shouldn't be able to, but—Nita, the spell's not balanced for this. If that thing grabs us or holds us somehow, we won't be able to get back!) Nita felt Kit's mind start to flick frantically through the memories of what he had read in his wizards' manual, looking for an idea, for something they could do to protect themselves. She held very still and looked over his shoulder at his thoughts, even though part of her trembled at the thought of that dark presence which was even now reaching out toward them, lazy, curious, deadly. Abruptly she saw something that looked useful. {Kit, stop! No, go back one. That's it. Look, it says if you've got an imbalance, you can open out your side of the spell to attract some more power.)(Yeah, but if the wrong kind of power answers, we're in for it!) (We're in for it for sure if that gets us,) Nita said, indicating the huge, hungry darkness billowing upward toward them like a cloud. (Look, we'll make a hole through the spell big enough for something friendly to fall into, and we'll take pot luck.) Nita could feel Kit's uncertainty as he started choosing from memory the words and symbols he would need. (All right, but I dunno. If something worse happens…) (What could be worse?) Nita hollered at Kit, half in amusement, half in tear. The hungry something drew closer. Kit started to answer, then forgot about it. (There,) he said, laying the equation out in his mind, (I think that's all we need.) (Go ahead,) Nita said, watching anxiously as their pursuer got closer and the air around them seemed to grow thicker and darker yet. (You say it. Just tell me what to do and when.) (Right,) Kit said, and began speaking in his mind, much faster than he had during the initial spelling. If that first magic had felt like the weaving of a whole, this one felt like ripping something apart. Their surroundings seemed to shimmer uncertainly, the dark skyline and lead-gray sky rippled like a wind-stirred curtain; even that stalking presence seemed to hesitate in momentary confusion. (Push,) Kit said suddenly, {push right there.) Nita felt the torn place that Kit had made in the spell, and she shoved clumsily at it with her mind, trying to make the hole larger. (It's . giving ...) (Now, hard?) Kit said, and Nita pushed until pain stabbed and stabbed again behind where her eyes should have been, and at the moment she thought she couldn't possibly push any more, Kit said one short sharp syllable and threw the spell wide open like a door. It was like standing at the core of a tornado which, rather than spinning you away to Oz, strips the roof off your home, opens the house walls out flat as the petals of a plaster flower, and leaves you standing confused and disbelieving in the heart of a howling of smoke and damned voices; or little moving through a roomful of people, every one of whom tries to catch your eye and tell you the most important thing that ever happened to him. Nita found herself deluged in fragments of sights and sounds and tastes and feelings and thoughts not her own, a madly coexisting maelstrom of imageries from other universes, other earths, other times. Most of them she managed to shut out by squeezing her mind shut like eyes and hanging on to the spell. She sensed that Kit was doing the same and that their stalker was momentarily as bewildered as they were by what was happening. The whirling confusion seemed to be funneling through the hole in the spell like water going down a drain— things, concepts, creatures too large or too small for the hole fell through it, or past it, or around it. But sooner or later something just the right size would catch. (Hope we get something useful,) Nita thought desperately. (Some-thing bigger than that thing, anyway.) And thump, something fitted into the hole with snug precision, and the crazy whirling died away, and the two of them had company in the spellweb. Something small, Nita felt, very small, too small — but no, it was big, too… Confused, she reached out to Kit. (Is that it? Can we get out now? Before that what's-tts-name—) The what's-its-name shook itself with a ripple of rage and hunger that Kit and Nita could feel even at a distance. It headed toward them again, quickly, done with playing with them. (Uh oh!) Kit said. (Let's get outa here!) (What do we—) (What in the—) said a voice that neither of them recognized. (Out!) Kit said, and hooked the spell into the added power that the newcomer provided, and pulled— — and plain pale daylight came down around them, heavy as a collapsed tent. Gravity yanked at them. Kit fell over sideways and lay there panting on the ground like someone who's run a race. Nita sagged, covered her face, bent over double right down to the ground, struggling for breath. Eventually she began to recover, but she put off moving or opening her eyes. The book had warned that spelling had its prices, and one of them was the physical exhaustion that goes along with any large, mostly mental work of creation. Nita felt as if she had just been through about a hundred English tests with essay questions, one after another. "Kit?" she said, worried by his silence. "Nnngggg," Kit said, and rolled over into a sort of crouch, holding his head in his hands. "Ooooh. Turn off the Sun." "It's not that bad," Nita said, opening her eyes. Then she winced and shut them in a hurry. It was. "How long've we been here?" Kit muttered. "The Sun shouldn't be showing here yet." "It's—" Nita said, opening her eyes again to check her watch and being distracted by a bright light to her right that was entirely too low to be the Sun, and squinting at it—and then forgetting what she had started to say. Hanging in midair about three feet away from her, inside the circle, was a spark of eye- searing white fire. It looked no bigger than a pinhead, but it was brilliant all out of proportion to its size, and was giving off light about as bright as that of a two-hundred-watt bulb without a shade. The light bobbed gently in midair, up and down, looking like a will-o'-the-wisp plugged into too powerful a current and about to blow out. Nita sat there with her mouth open and stared. The bright point dimmed slightly, appeared to describe a small tight circle so that it could take in Kit, the drawn circle, trees and leaves and sky; then it came to rest again, staring back at Nita. Though she couldn't catch what Kit was feeling, now that the spell was over, she could feel the light's emotions quite clearly — amazement, growing swiftly into unbelieving pleasure. Sud-denly it blazed up white-hot again. (Dear Artificer,) it said in bemused delight, {I've blown my quanta and gone to the Good Place!) Nita sat there in silence for a moment, thinking a great many things at once. Uhh. … she thought. And, So I wanted to be a wizard, huh? Serves you right. Something falls into my world and thinks it's gone to Heaven. Boy, >t gonna get a shock. And, What in the world is it, anyway? 'Kit," Nita said. "Excuse me a moment," she added, nodding with abrupt courtesy at the light source. "Kit." She turned slightly and reached down to shake him by the shoulder. "Kit. C'mon, get up. We have company." (Mmrnp?" Kit said, scrubbing at his eyes and starting to straighten up. Oh, no, the binding didn't blow, did it?" Nope. It's the extra power you called in. I think it came back with us." "Well, it—oh," Kit said, as he finally managed to focus on the sedately hovering brightness, "Oh. It's—uh… ." "Right," Nita said. "It says," she added, "that it's blown its quanta. Is that dangerous?" she asked the light. (Dangerous?) It laughed inside, a crackling sound like an overstimulated Geiger counter. (Artificer, child, it means I'm dead.) "Child" wasn't precisely the concept it used; Nita got a fleeting impression of a huge volume of dust and gas contracting gradually toward a common center, slow, confused, and nebulous. She wasn't flattered. "Maybe you won't like hearing this," Nita said, "but I'm not sure this is the Good Place. It doesn't seem that way to us, anyhow." The light drew a figure-eight in the air, a shrug. (It looks that way to mej it said. (Look how orderly everything is! And how much life there is in just one place! Where I come from, even a spore's worth of life is scarcer than atoms in a comet's tail.) "Excuse me," Kit said, "but what are you?" It said something Nita could make little sense of. The concept she got looked like page after page of mathematical equations. Kit raised his eye-brows. "It uses the Speech too," he commented as he listened. "So what is it?" Kit looked confused. "Its name says that it came from way out in space somewhere, and it has a mass equal to — to five or six blue-white giant stars and a few thousand-odd planets, and it emits all up and down the matter-energy spectrum, all kinds of light and radiation and even some subatomic particles." He shrugged. "You have any idea what that is?" Nita stared at the light in growing disbelief. "Where's all your mass?" she said. "If you have that much, the gravity should have crushed us up against you the minute you showed up." (Elsewhere,) the light said offhandedly. (I have a singularity-class temporospatial claudication.) "A warp," Nita whispered. "A tunnel through space-time. Are you a white hole?" It stopped bobbing, stared at her as if she had said something derogatory. (Do I look like a hole?) "Do I look like a cloud of gas?" Nita snapped back, and then sighed — her mouth was getting the better of her again. "I'm sorry. That's just what we call your kind of, uh, creature. Because you act like a hole in the Universe that light and radiation come through, I know you're not, really. But, Kit,' she said, turning, "where's my pen? And where's the power you were after? Didn't the spell work?" "Spells always work," Kit said. "That's what the book says. When you ask for something, you always get back something that'll help you solve your problem, or be the solution itself." He looked entirely confused. "I asked for that power aura for me, and your pen for you—that was all. If we got a white hole, it means he's the answer—" "If he's the answer," Nita said, bemused, "I'm not sure I understand the question." (This is all fascinating,) the white hole said, (but I have to find a functional-Advisory nexus in a hurry. I found out that the Naming of Lights has gone missing, and I managed to find a paradimensional net with enough empty loci to get me to an Advisory in a hurry. But something seems to have gone wrong. Somehow I don't think you're Advisories.) "Uh, no," Kit said. "1 think we called you—" (You called me?) the white hole said, regarding Kit with mixed reverence and amazement. (You're one of the Powers born of Life? Oh, I'm sorry I didn't recognize You—I know You can take any shape but somehow I'd always thought of You as being bigger. A quasar, or a mega-nova.) The white hole made a feeling of rueful amusement. (It's confusing being dead!) "Oh, brother," Kit said, "Look, I'm not—you're not—just not. We made a spell and we called you. I don't think you're dead." (If you say so,) the white hole said, polite but doubtful. (You called me, though? Me personally? I don't think we've met before.) "No, we haven't," Nita said. "But we were doing this spell, and we found something, but something found us too, and we wouldn't have been able to get back here unless we called in some extra power—so we did, and it was you, I guess. You're not mad, are you?" she asked timidly. The thought of what a live, intelligent white hole might be able to do if it got annoyed scared her badly. (Mad? No. As I said, I was trying to get out of my own space to get the news to someone who could use it, and then all of a sudden there was a paranet with enough loci to handle all the dimensions I carry, so I grabbed rt.) The white hole made another small circle, looking around him curiously. (Maybe it did work. Are there Advisories in this—on this— What is this, anyway?} Kit looked at Nita. "Huh?" (This,) the white hole said, (all of this.) He made another circle. 'Oh! A planet," Nita said. "See, there's our star." She pointed, and the white hole rotated slightly to look. (Artificer within us,) he said, (maybe I have blown my quanta, after all. I always wanted to see a planet, but I never got around to it. Habit, I guess. on get used to sitting around emitting X-rays after a while, and you don't 'nk of doing anything else. You want to see some?) he asked suddenly. He a little insecure. , maybe you'd better not," Nita said.  (How come? They're really pretty.) "We can't see them—and besides, we're not built to take hard radiation. Our atmosphere shuts most of it out." (A real planet,) the white hole said, wondering and delighted, (with a real atmosphere. Well! If this is a planet, there has to be an Advisory around here somewhere. Could you help me find one?) "Uhh—" Kit looked uncertainly at the white hole, "Sure. But do you think you could help me find some power? And Nita get her pen back?" The white hole looked Kit up and down. (Some potential, some potential,) he muttered. (I could probably have you emitting light pretty quickly, if we worked together on a regular basis. Maybe even some alpha. We'll see. What's a pen?) "What's your name?" Kit said, "I mean, we can't just call you 'hey you' all the time." (True,) the white hole said. (My name is Khairelikoblephareh-glukumeilichephreidosd'enagouni—) and at the same time he went flickering through a pattern of colors that was evidently the visual translation. "Ky—elik—" Nita began. "Fred/' Kit said quickly. "Well," he added as they looked at him again, "if we have to yell for help or something, the other way's too long. And that was the only part I got, anyway." "Is that okay with you?" Nita asked. The white hole made his figure-eight shrug again. (Better than having my true name mangled, I guess,) he said, and chuckled silently. (Fred, then. And you are?) "Nita." "Kit." {I see why you like them short,) Fred said. (All right. Tell me what a 'pen' is, and I'll try to help you find it. But we really must get to an Advisory as fast as we can—) "Okay," Kit said. "Let's break the circle and go talk." "Sounds good," Nita said, and began to erase the diagrams they had drawn. Kit cut the wizards' knot and scuffed the circle open in a few places, while Nita took a moment to wave her hand through the now-empty air. "Not bad for a first spell," she said with satisfaction. (I meant to ask,) Fred said politely, (what's a spell?) Nita sighed, and smiled, and picked up her book, motioning Fred to folio* her over by where Kit sat. It was going to be a long afternoon, but she didn't care. Magic was loose in the world. Research and Development They were at the schoolyard early the next morning, to be sure they wouldn't miss Joanne and her crew. Nita and Kit sat on the curb by the front door to the school, staring across at the packed dirt and dull grass of the athletic field next to the building. Kit leafed through his wizards' manual, while Fred hung over his shoulder and looked around with mild interest at everything. (Will it be long?) he said, his light flickering slightly. "No," Nita said. She was shaking. After the other day, she didn't want anything to do with Joanne at all. But she wanted that pen back, so … "Look, it'll be all right," Kit said, paging through his manual. "Just do it the way we decided last night. Get close to her, keep her busy for a little while. Fred'll do the rest." "It's keeping her busy that worries me," Nita muttered. "Her idea of busy usually involves her fists and my face." {I don't understand,) Fred said, and Nita had to laugh briefly—she and Kit had heard that phrase about a hundred times since Fred arrived. He used it on almost everything. (What are you afraid of?) "This," Nita said, pointing to her black eye. "And this—" uncovering a bruise. "And this, and this—" Fred regarded her with a moment's discomfiture. (I thought you came that way Joanne makes this happen?) 'Uh huh. And it hurts getting this way." (But she only changes your outsides. Aren't your insides still the same afterward?) Nita had to stop and think about that one. "Okay," Kit said suddenly, "here's the Advisory list for our area." He ran a ger down the page. "And here's the one in town. Twenty-seven Hundred Rose—" "That's up the hill past the school. What's the name?" "Lessee. 'Swale, T.B., and Romeo, C.J. Research Advisories, temporospatial adjustments, entastics, non-specific scryings—' " "Wait a minute," Nita said hurriedly. " 'Swale'? You mean Crazy Swale? We can't go in there, Kit, that place is haunted! Everybody knows that! Weird noises are always coming out of there—" "If it's haunted," Kit said, "it's haunted by wizards. We might as well go after school, it's only five or six blocks up the road." They were quiet for a while. It was about twenty minutes before the bell would ring for the doors to open, and a few early kids were gathering around the doors. "Maybe we could rig you a defense against getting hit," Kit said, as he kept looking through his manual. "How about this?" He pointed at one page, and both Nita and Fred looked at the formula he was indicating. All it needed was the right words. It would be something of a strain to cany the shield for long, but Nita wouldn't have to; and any attempt to hit her would fust glance off. (The problem is,) Fred said, (that spell will alter the field slightly around this Joanne person. I'm going to have a hard enough time matching my pattern to that of your pen so that I can get it off her—if indeed she has it. Her own field is going to interfere, and so will yours, Nita. More stress on the space in the area and I might not be able to get your pen back at all.) Nita shook her head. She could tolerate another black eye if it meant getting that pen back. "Forget it," she said, still shaking, and leaned forward a bit, elbows on knees and face in hands, trying to relax. Above her the old maple trees were muttering morning thoughts in the early sunlight, languid observations on the weather and the decreasing quality of the tenant birds who built nests in their branches. Out in the field the grass was singing a scratchy soprano chorus — (growgrowgrowgrowgrowgrow) — which broke off abruptly and turned into an annoyed mob-sound of boos and razzes as one of the ground- keepers, way across the field, started up a lawnmower. I'm good with plants, Nita thought. I guess I take after Dad. I wonder if I'll ever be able to hear people this way. Kit nudged her. "You're on," he said, and Nita looked up and saw Joanne walking into the schoolyard. Their eyes met, Joanne recognized her, saw her handiwork, smiled. Now or never! Nita thought, and got right up before she had a chance to chicken out and blow everything, She walked over to Joanne without a pause, fast, to keep the tremor in her knees from showing. Oh, Fred, please be behind me. And what in the world can I say to her? "I want my pen back, Joanne," she said,—or rather it fell out of her mouth, and she went hot at her own stupidity. Yet the momentary shocked look on Joanne's face made her think that maybe saying what was on her mind hadn't been so stupid after all. Joanne's shock didn't last; a second later she was smiling again. "Callahan," she said slowly, "are you looking for another black eye to match that one?" "Lllp. No," Nita said, "just my pen, thanks." "I don't know what you're talking about," Joanne said, and then grinned. "You always were a little odd. I guess you've finally flipped out." "I had a space pen on me the other day, and it was gone afterward. One of you took it. I want it back." Nita was shaking worse than ever, but she was also surprised that the fist hadn't hit yet. And there over Joanne's shoulder, a flicker, a pinpoint of light, hardly to be seen, looking at her. (Don't react. Make me a picture of the thing now.) "What makes you think I would want anything of yours?" Joanne was saying, still with that smile. Nita looked straight at her and thought about the pen. Silver barrel, grooved all around the lower half so your fingers, or an astronaut's, wouldn't slip. Her initials engraved on it. Hers, her pen. (Enough. Now then—} "But now that I think of it, I do remember finding a pen on the ground last week. Let's see." Joanne was enjoying this so much that she actually nipped open the top of her backpack and began rummaging around. "Let's see, here—"She came up with something. Silver barrel, grooved — and Nita went hot again, not with embarrassment this time. "It's mine!" "Come and get it, then," Joanne said, dropping her backpack, keeping her smile, holding the pen back a little. And a spark of white light seemed to light on the end of the pen as Joanne held it up, and then both were gone with a pop and a breath of air. Joanne spun to see who Had plucked the pen out of her fingers, then whirled on Nita again. Nita smiled and held out her hands, empty. Joanne was not amused. She stepped in close, and Nita took a few hurried steps back, unable to stop grinning even though she knew she was going to get hit. Heads were turning all around the schoolyard at the prospect of a night. "Callahan," Joanne hissed, "you're in for it now!" The eight-thirty bell went off so suddenly they both jumped. Joanne stared at Nita for a long long moment, then turned and went to pick up her backpack. "Why hurry things?" she said, straightening. "Callahan, if I were you, I'd sleep here tonight. Because when you try to leave—" And he walked off toward the doors. Nita stood where she was, still shaking, but with amazement and triumph as much as with fear. Kit came up beside her when Joanne was gone, and Fred appeared, a bright point between them. "u were great!" Kit said. "I m gonna get killed tonight," Nita said, but she couldn't be terrified about it just yet. "Fred, have you got it?" The point of light was flickering, and there was something about the way it did so that made Nita wonder if something was wrong. (Yes,) Fred said, the thought coming with a faint queasy feeling to it. (And that's the problem.) "Are you okay?" Kit said. "Where'd it go?" (I swallowed it,) Fred said, sounding genuinely miserable now. "But that was what you were going to do," Nita said, puzzled. "Catch it in your own energy-field, you said, make a little pocket and hold it there." (I know. But my fields aren't working the way they should. Maybe it's this gravity, I'm not used to any gravity but my own. I think it went down the wrong way.) "Oh, brother," Kit said. "Well," Nita said, "at least Joanne hasn't got it. When we go to the Advisories tonight, maybe they can help us get it out." Fred made a small thought-noise somewhere between a burp and a squeak. Nita and Kit looked up at him, concerned — and then both jumped back hurriedly from something that went bang! down by their feet. They stared at the ground. Sitting there on the packed dirt was a small portable color TV, brand new. "Uh, Fred—" Kit said. Fred was looking down at the TV with embarrassment verging on shame. (I emitted it,) he said. Nita stared at him. "But I thought white holes only emitted little things. Subatomic particles. Nothing so big — or so orderly." (I wanted to visit an orderly place,) Fred said miserably. (See what it got me!) "Hiccups," Kit muttered. "Fred, I think you'd better stay outside until we're finished for the day. We'll go straight to the Advisories' from here." "Joanne permitting," Nita said. "Kit, we've got to go in." (I'll meet you here,) Fred said. The mournful thought was followed by another burp/squeak, and another bang! and four volumes of an encyclopedia were sitting on the ground next to the TV. Kit and Nita hurried for the doors, sweating. Apparently wizardry had more drawbacks than the book had indicated… Lunch wasn't calm, but it was interesting, due to the thirty teachers, assistant principal, principal, and school superintendent who were all out on the athletic field, along with most of the students. They were walking around looking at the furniture, vacuum cleaners, computer components, books, knickknacks, motorcycles, typewriters, art supplies, stoves, sculptures, lumber, and many other odd things that had since morning been appearing one after another in the field. No one knew what to make of any of it, or what to do; and though Kit and Nita felt sure they would be connected with the situation somehow, no one accused them of anything. They met again at the schoolyard door at three, pausing just inside it while Nita peered out to see if Joanne was waiting. She was, and eight of her friends were with her, talking and laughing among themselves. "Kit," Nita said quietly, "we've got problems." He looked. "And this is the only door we can use." Something went bang! out in the field, and Nita, looking out again, saw heads turn among Joanne's group. Without a moment's pause every one of the girls headed off toward the field in a hurry, leaving Joanne to glare at the school door for a moment. Then she took off after the others. Kit and Nita glanced at each other. "I get this feeling …" Kit said. "Let's go." They waited until Joanne was out of sight and then leaned cautiously out of the door, looking around. Fred was suddenly there, wobbling in the air. He made a feeling of greeting at them; he seemed tired, but cheerful, at least for the moment. Nita glanced over her shoulder to see what had drawn the attention of Joanne and her group—and drew in a sharp breath at the sight of the shiny silver Learjet. "Fred," she said, "you did that on purpose!" She felt him look back too, and his cheerfulness drowned out his weariness and queasiness for a moment. (I felt you wondering whether to come out, so I exerted myself a little. What was that thing?) "We'll explain later; right now we should run. Fred, thank you!" (You're most welcome. Just help me stop this!) "Can you hold it in for a few blocks?" (What's a block?) They ran down Rose Avenue, and Fred paced them. Every now and then a little of Fred's hiccup-noise would squeak out, and he would fall behind them, controlling it while they ran on ahead. Then he would catch up again. The last time he did it, they paused and waited for him. Twenty-seven Hundred Rose had a high poplar hedge with one opening for the walk up to the house, and neither of them felt like going any farther without Fred. (Well?) he said, when he caught up. (Now what?) Nita and Kit looked at each other. "I don't care if they are wizards," Nita said, "I want to peek in and have a look before I just walk in there. I've heard too many stories about this place—" (Look,) Fred said in great discomfort, (I've got to—) Evidently there was a limit on how long a white hole in Fred's condition hold it in. The sound of Fred's hiccup was so much louder than usual "at Nita and Kit crowded back away from him in near-panic. The bang! Ended like the beginning of a fireworks display, and when its echoes faded, Powder-blue Mercedes-Benz was sitting half on, half off the sidewalk. (% gnaester hurts,) Fred said. "Let's peek," Nita said, turned, and pushed a little way through the hedge. She wanted to be sure there were no monsters or skeletons hanging from trees or anything else uncanny going on in the yard before she went in. What she did not expect was the amiable face of an enormous black-and- white English sheepdog, which first slurped her face energetically, then grabbed her right arm in gentle but insistent teeth and pulled her straight through the hedge. "Kit!" she almost screamed, and then remembered not to because Crazy Swale or whoever else lived here might hear her. Her cry came out as sort of a grunt. She heard Kit come right through the bushes behind her as the sheep-dog dragged her along through the yard. There was nothing spooky about the place at all — the house was big, a two-story affair, but normal-looking, all warm wood and shingles. The yard was grassy, with a landscaped garden as pretty as one of her father's. One side of the house had wide glass patio doors opening on a roofed-over terrace. Potted plants hung down and there was even a big square masonry tank, a fishpond — Nita caught a glimpse of some-thing coppery swimming as the sheepdog dragged her past it to the terrace doors. It was at that point that the dog let go her arm and began barking noisily, and Nita began thinking seriously of running for it. "All right, all right," came a man's voice, a humorous one, from inside the house, and it was definitely too late for running. Kit came up behind Nita, panting. "All right, Annie, let's see what you've got this time." The screen door slid open, and Nita and Kit looked at the man who opened it in slight surprise. Somehow they had been expecting that any wizard not their age would be old, but this man was young, certainly no more than in his middle thirties. He had dark hair and was tall and broad- shouldered. He looked rather like someone out of a cigarette ad, except that he was smiling, which the men in cigarette ads rarely do. "Well," the man said, sounding not at all annoyed by three unexpected guests, "I see you've met Annie…" "She, uh," Nita said, glancing down at the dog, who was smiling at her with the same bemused interest as her master. "She found me looking through your hedge." "That's Annie for you," the man said, sounding a bit resigned. "She's good at finding things. I'm Tom Swale." And he held out his hand for Nita to shake. "Nita Callahan," she said, taking it. "Kit Rodriguez," Kit said from beside her, reaching out to shake hands too. "Good to meet you. Call me Tom, What can I do for you?" "Are you the Advisory?" Kit said. Tom's eyebrows went up. "You kids have a spelling problem?" Nita grinned at the pun and glanced over her shoulder. "Fred?" Fred bobbed up between her and Kit, regarding Tom, who looked back at the unsteady spark of light with only moderate surprise. "He's a white hole," Nita said. "He swallowed my space pen." (Y-hup!) Fred said, and bang! went the air between Kit and Nita as they stepped hurriedly off to either side. Fourteen one-kilogram bricks of 999-fine Swiss gold fell clattering to the patio's brown tiles. "I can see this is going to take some explaining," Tom said, "Come on in." They followed him into the house. A big comfortable living room opened onto a den on one side and a bright kitchen-dining room on the other. "Carl, we've got company," Tom called as they entered the kitchen. "Wha?" replied a muffled voice — muffled because the upper half of its owner was mostly in the cabinet under the double sink. The rest of him was sprawled across the kitchen floor. This by itself wasn't so odd; what was odd was the assortment of wrenches and other tools floating in the air just outside the cabinet doors. From under the sink came a sound like a wrench slipping off a pipe, and a sudden soft thump as it hit something else. Probably its user, for "Nnngg!" said the voice under the sink, and all the tools fell clattering to the kitchen floor. The voice broke into some most creative swearing. Tom frowned and smiled both at once. "Such language in front of guests! You ought to sleep outside with Annie. Come on out of there, we're needed for a consultation." "You really arc wizards!" Nita said, reassured but still surprised. She had rarely seen two more normal-looking people. Tom chuckled. "Sure we are. Not that we do too much freelancing these days — better to leave that to the younger practitioners, like you two." The other man got out from under the sink, brushing himself off, He was at least as tall as Tom, and as broad-shouldered, but his dark hair was shorter and he had an impressive mustache. "Carl Romeo," he said in a voice with a pronounced Brooklyn accent, and shook hands with Kit and Nita. "Who's this?" he said, indicating Fred. Fred hiccuped; the resulting explosion produced six black star sapphires the size of tennis balls. Fred here," Tom said, "has a small problem." I wish / had problems like that," Carl remarked. "Something to drink, paple? Soda?" After a few minutes the four of them were settled around the kitchen table, with Fred hovering nearby. "It said in the book that you specialize in temporospatial claudications," Kit said. Karl does. Maintenance and repair; he keeps the worldgates at Grand Central Station and Rockefeller Center working. You've come to the right Place." "His personal gate is acting up, huh?" Carl said. "I'd better get the books." He got up. "Fred, what're the entasis figures on your warp?" Fred mentally rattled off a number of symbols in the Speech, as he had when Kit asked him what he was. "Right," Carl said, and went off to the den. "What do you do?" Nita said to Tom. "Research, mostly. Also we're something of a clearinghouse for news and gossip in the Business. If someone needs details on a rare spell, or wants to know how power balances are running in a particular place, I can usually find out for them." "But you do other things too." Kit looked around at the house. "Oh, sure, we work. I write for a living — after all, some of the things I see in the Business make good stories. And Carl sells commercial time for WNXT in the city. As well as regular time, on the side." Kit and Nita looked at each other, puzzled. Tom chuckled. "Well, he does claudications, gatings, doesn't he? Temporospatial — time and space. If you can squeeze space — claudicate it — so that you pop out of one place and into another, why can't you squeeze time the same way? Haven't you heard the saying about 'buying time'? Carl's the one you buy it from. Want to buy a piece of next Thursday?" "I can get it for you wholesale," Carl said as he came back into the room. In his arms he was carrying several hardbound books as thick as telephone directories. On his shoulder, more interesting, was a splendid scarlet-blue-and-yellow macaw, which regarded Kit and Nita and Fred out of beady black eyes. "Kit, Nita, Fred," Carl said, "Machu Picchu. Peach for short." He sat down, put the books on the table, and began riffling through the one on top of the stack; Tom pulled one out of lower in the pile and began doing the same. "All right," Tom said, "the whole story, from the beginning." They told him, and it took a while. When they got to Fred's part of the story, and the fact that the Naming of Lights was missing, Tom and Carl became very quiet and just looked at one another for a moment. "Damn,' Tom said, "I wondered why the entry in the Materia Magica hadn't been updated in so long. This is news, all right. We'll have to call a regional Advisories' meeting." Fred hiccuped again, and the explosion left behind it a year's back issues of TV Guide. "Later," Carl said. "The situation here looks like it's deteriorating." He paused at one page of the book he was looking through, ran his finger down a column. The macaw peered over his shoulder as if interested. "Alpha-rai-eri' tath-eight, you said?" (Right.) "I can fix you," Carl said. "Take about five minutes." He got up and headed for the den again. "What is the Naming of Lights: " Kit said to Tom. "We tried to get Fred to tell us last night, but it kept coming out in symbols that weren't in our books." "Well, this is a pretty advanced subject. A novice's manual wouldn't have much information on the Naming of Lights any more than the instruction manual for a rifle would have information on atomic bombs… ." Tom took a drink. "It's a book. At least that's what it looks like when it's in or near this Universe. The Book of Night with Moon, it's called here, since in these parts you need moonlight to read it. It's always been most carefully accounted for; the Senior wizards keep an eye on it. If it's suddenly gone missing, we've got trouble. "Why?" Nita said. "Well, if you've gotten even this far in wizardry, you know how the wizards' symbology, the Speech, affects the things you use it on. When you use it, you define what you're speaking about. That's why it's dangerous to use the Speech carelessly. You can accidentally redefine something, change its nature. Something, or someone—" He paused, took another drink of his soda. "The Book of Night with Moon is written in the Speech. In it, every-thing's described. Everything. You, me, Fred, Carl … this house, this town, this world. This Universe and everything in it. All the Universes. …" Kit looked skeptical. "How could a book that big get lost?" "Who said it was big? You'll notice something about your manuals after a while," Tom said. "They won't get any bigger, but there'll be more and more inside them as you learn more, or need to know more. Even in plain old math "t s true that the inside can be bigger than the outside; it's definitely true in wizardry. But believe me, the Book of Night with Moon has everything described in it. It's one of the reasons we're all here—the power of those descriptions helps keep everything that is, in existence." Tom looked worried. And every now and then the Senior wizards have to go get the Book and ad from it, to remind the worlds what they are, to preserve everything alive inanimate—" Have you read from it?" Nita said, made uneasy by the disturbed look on Tom's face. Tom glanced at her in shock, then began to laugh. "Me? No, no. I hope I never have to." But if it's a good Book, if it preserves things—" Kit said. " s good—at least, yes, it preserves, or lets things grow the way they want t reading it, being the vessel for all that power—I wouldn't want to. Even good can be terribly dangerous. But this isn't anything you two need to worry about. The Advisories and the Senior wizards will handle it." "But you are worried," Kit said. "Yes, well—" Tom took another drink. "If it were just that the bright Book had gone missing, that wouldn't be so bad. A universe can go a long time without affirmation-by-reading. But the bright Book has an opposite number, a dark one; the Book which is not Named, we call it. It's written in the Speech too, but its descriptions are… skewed. And if the bright Book is missing, the dark one gains potential power. If someone should read from that one now, while the Book of Night with Moon isn't available to counter-act the power of the dark one—" Tom shook his head. Carl came in then, the macaw still riding his shoulder. "Here we go," he said, and dumped several sticks of chalk, an enormous black claw, and a 1943 zinc penny on the table. Nita and Kit stared at each other, neither quite having the nerve to ask what that claw had come off of. "Now you under-stand," Carl said as he picked up the chalk and began to draw a circle around the table, "that this is only going to stop the hiccups. You three are going to have to go to Manhattan and hook Fred into the Grand Central worldgate to get that pen out. Don't worry about being noticed. People use it all the time and no one's the wiser. / use it sometimes when the trains are late." "Carl," Tom said, "doesn't it strike you as a little strange that the first wizardry these kids do produces Fred — who brings this news about the good Book—and they come straight to us—" "Don't be silly," the macaw on Carl's shoulder said in a scratchy voice. "You know there are no accidents." Nita and Kit stared. "Wondered when you were going to say something useful," Carl said, sounding bored. "You think we keep you for your looks? OW!" he added, as the bird bit him on the car. He hit it one on the beak, and, while it was still shaking its head woozily, put it up on the table beside Tom. Picchu sidled halfway up Tom's arm, stopped and looked at Nita and Kit. "Dos d'en agouni nikyn toude phercsthai," it muttered, and got all the way up on Tom's shoulder, and then glared at them again. "Well?" "She only speaks in tongues to show off," Tom said. "Ignore her, or rap her one if she bites you. We just keep her around because she tells the future." Tom made as if to smack the bird again, and Picchu ducked back' "How about the stocks tomorrow, bird?" he said. Picchu cleared her throat. "'And that's the way it is,'" she said in a voice very much like that of a famous newscaster, "'July eighteen, 1988. Frofll New York, this is Walter—'" Tom fisted the bird in the beak, clunk! Picchu shook her head again. " 'Issues were down in slow trading,' " she said resentfully. " 'The Dow-Jones Index—' " and she called off some numbers. Tom grimaced, "I should have gone into pork bellies,' he muttered. "I ought to warn you two - If you have peas, look out- Practicing wizardry around them can cause some changes." "There we go," Carl said, and stood up straight. "Fred, you ready? Hiccup for me again." (I can't,) Fred said, sounding nervous. (You're all staring.) "Never mind, I can start this in the meantime." Carl leaned over the table, glanced down at one of the books, and began reading in the Speech, a quick flow of syllables sharpened by that Brooklyn accent. In the middle of the third sentence Fred hiccuped, and without warning the wizardry took. Time didn't precisely stop, but it held still, and Nita became aware of what Carl's wizardry was doing to Fred, or rather had done already—subtly untangling forces that were knotted tight together. The half-finished hiccup and the wizardry came loose at the same time, leaving Fred looking bright and well for the first time since that morning. He still radiated uncertainty, though, like a person who isn't sure he's stopped hiccuping yet. "You'll be all right," Carl said, scuffing away the chalk marks on the floor. "Though as I said, that pen is still in there with the rest of your mass, at the other end of your claudication, and you'll need Grand Central to get it out." (Have you stopped my emissions entirely?) Fred said, "No, of course not. I couldn't do that: you'll still emit from time to time. Mostly what you're used to, though. Radiation and such." "Grand Central!" Kit was looking worried. "1 don't think my mother and father are going to want me in the city alone. I could sneak in, I guess, but they'd want to know where I'd been all that while." Well," Tom said, looking thoughtful, "you've got school. You couldn't go before the weekend anyway, right? Carl could sell you a piece of Saturday or Sunday—" Kit and Nita looked at each other, and then at the two men. "Uh, we don't have much money." Who said anything about money?" Carl said. "Wizards don't pay each other cash. They pay off in service—and sometimes the services aren't done for years. But first let's see if there's any time available this weekend. Satur- y go fast, even though they're expensive, especially Saturday mornings." l picked up another book and began going through it. Like all the other . it was printed in the same type as Nita's and Kit's manuals, though print was much smaller and arranged differently. "This way," Tom said, you buy some time, you could be in the city all day, all week if you wanted y once you activate the piece of time you're holding, you're back then. ave to pick a place to anchor the time to, of course, a twenty-foot radius. But after you've finished whatever you have to do, you bring you marked time to life, and there you are. Maybe five minutes before ybu started for the city, back at home. Or anywhere and anywhen else along the path you'll follow that day." "Huh," Carl said suddenly, "Callahan, J., and Rodriguez, C., is that you two?" They nodded. "You have a credit already," Carl said, sounding a little surprised. "What have you two been doing to rate that?" "Must have been for bringing Fred through," Tom said. "I didn't know that Upper Management had started giving out door prizes, though." From her perch on Tom's shoulder, Picchu snorted. "Oh? What's that mean?" Tom said. "Come on, bird, be useful. Is there something you know that these kids ought to?" "I want a raise," Picchu said, sounding sullen. "You just had one. Talk!" " 'Brush your teeth twice a day, and see your dentist regularly,' " the macaw began, in a commercial-announcer's voice. Tom made a fist and stared at her. "AH right, all right," Picchu muttered. She looked over at Kit and Nita, and though her voice when she spoke had the usual good-natured annoyance about it, her eyes didn't look angry or even teasing — they looked anxious. Nita got a sudden chill down her back, "Don't be afraid to make corrections," Picchu said. "Don't be afraid to lend a hand." She fell silent, seeming to think for a moment. "And don't look down." Tom stared at the macaw. "Can't you be a little more specific?" "Human lives," Picchu said irritably, "aren't much like the Dow-Jones index. No, 1 can't." Tom sighed. "Sorry. Kids, if she says it, she has a reason for saying it—so remember." "Here you go," Carl said. "Your piece of time is from ten forty-five to ten forty-seven on this next Saturday morning. There aren't any weekend openings after that until sometime in July." "We'll take this one," Kit said. "At least I can—Nita, will your folks let you go?" She nodded. "I have some allowance saved up, and I'd been thinki about going into the city to get my dad a birthday present anyhow. I doul there'll be any trouble." Kit looked uncomfortable for a moment. "But there's something I'm sure about. My spell—our spell brought Fred here. How are we going to him back where he belongs?" (Am I a problem?) Fred said, sounding concerned. "Oh, no, no—it's just that, Fred, this isn't your home, and it seemed as sooner or later you might want to go back where you came from," "As far as that goes," Tom said, "if it's your spell that brought him ou'H be able to send him back. The instructions are in your book, same as the instructions for opening the Grand Central worldgate." "Stick to those instructions," Carl said. "Don't be tempted to improvise. That claudication is the oldest one in New York, and it's the trickiest because of all the people using it all the time. One false syllable in a spell and you may wind up in Schenectady." (Is that another world?) Fred asked. "Nearly." Carl laughed. "Is there anything else we can do for you?" Nita and Kit shook their heads and got up to leave, thanking Tom and Carl and Picchu. "Let us know how things turn out," Tom said. "Not that we have any doubts—two wizards who can produce a white hole on the first try are obviously doing all right. But give us a call. We're in the book." The two men saw Nita and Kit as far as the patio door, said their good-byes, and went back into the house. Nita started off across the lawn the way she had come, but Kit paused for a moment by the fishpool, staring down into it. He pulled a penny out of his pocket, dropped it in. Nita saw the ripples spread—and then suddenly another set of ripples wavered away from the head of a very large goldfish, which spat the penny back at Kit and eyed him with distaste. "Do / throw money on your living-room floor?" it said, and then dived out of sight. Kit picked up his penny and went after Nita and Fred as they pushed through the poplar hedge again. The blue Mercedes, which had been half in the street and half on the sidewalk, was now neatly parked by the curb. In front of it sat Annie., with her tongue hanging out and a satisfied look on her face. There were teethmarks deep in the car's front fender, Annie grinned at them as Nita and Kit passed, and then trotted off down the street, probably to "find" something else. "If my dog starts doing things like that," Kit muttered, "I don't know how I m going to explain it to my mother." Nita looked down the street for signs of Joanne. "If we can just get home without being killed, I wouldn't care what the dog found. Uh oh—" A good ays down the street, four or five girls were heading toward them, and Nita saw Joanne's blond hair. "Kit, we'd better split up. No reason for them to °irie after you too." Right. Give me a call tonight. I'm in the book…, " He took off down a Side street. ^>he looked around, considering the best direction to run in—and then nought of the book she was carrying. There wasn't much time, though. She ° ced herself to calm down even while she knew they were coming for her, te herself turn the pages slowly to the place Kit had shown her that ° ing, the spell that made blows slide off. She read through it slowly in the h, sounding out the syllables, taking the time to look up the pronunciation of the ones she wasn't sure of, even though they were getting close and she could hear Joanne's laugh. Nita sat down on the curb to wait for them. They let her have it when they found her, as they had been intending to all day; and she rolled around on the ground and fell back from their punches and made what she hoped were horrible groaning noises. After a while Joanne and her four friends turned away to leave, satisfied that they had taught her a lesson. And Nita stood up and brushed herself off, uncut, unbruised, just a little dirty. "Joanne," she called after them. In what looked like amazement, Joanne turned around. Nita laughed at her. "It won't work any more," she said. Joanne stood dumb, "Never again/' she said. She felt like turning her back on them, but in-stead she walked toward them, watching the confusion in their eyes. On a sudden urge, she jumped up in the air and waved her arms crazily. "BOO!" she shouted. They broke and ran, all of them. Joanne was the first, and then the rest followed her in a ragged tail down Rose Avenue. Not a word, not a taunt. They just ran. Nita stopped short. The feeling of triumph that had been growing in her withered almost instantly. Some victory, she thought. It took so little, so little to scare them. Maybe I could have done that at any time, without a shield. Maybe. And now I'll never know for sure. (Are you all right?) Fred said quietly, bobbing again by her shoulder. (They didn't hurt you this time.) "No," Nita said slowly. She was thinking of all the glorious plans she'd had to use her new-found wizardry on Joanne and her bunch, to shame them, confuse them, hurt them. And look what so small and inoffensive thing as a body shield had done to them. They would hate her worse than ever now. I've got to be careful with this, she thought. I thought it was going to be all fun. "Come on, Fred," she said, "let's go home." Temporospatial Claudications Use and Abuse The week went by quickly for Nita. Though Carl had made the business of opening a worldgate sound fairly simple, she began to suspect that he'd been doing it so long that it actually seemed that way to him. It wasn't simple, as her book told her as soon as she opened to the pertinent chapter, which was forty pages long in small print. Grand Central worldgate had its own special requirements: specific sup-plies and objects that had to be present at an opening so that space would be properly bent, spells that had to be learned just so. The phone calls flew between Nita's house and Kit's for a couple of days, and there was a lot of visiting back and forth as they divided up the work. Nita spent a lot of time keeping Fred from being noticed by her family, and also got to see a lot of Kit's mother and father and sisters, all of whom were very friendly and kept forgetting that Nita couldn't speak Spanish. She started to learn a little of it in self-defense. Kit's dog told her the brand of dog biscuits it could never get enough of; she began bringing them with her when she visited. The dog poke the Speech with a Spanish accent, and would constantly interrupt Kit and Nita as they discussed who should do what in the spelling, Kit wound up with most of the spoken work, since he had been using the Speech longer and was better at it; Nita picked up supplies. You ever swallow anything accidentally before, Fred?" Nita said under her breath. It was late Friday afternoon, and she was in a little antiques-and-)unk store on Nassau Road, going through boxes of dusty odds and ends in arch of a real silver fork. Fred was hanging over her shoulder, almost invisible a faint red point lazily emitting heat. INot for a long time) he said, glancing curiously at a pressed-glass salt- *er Nita was holding. (Not since I was a black hole, certainly. Black holes '° everything, but a white hole's business is emission. Within limits,) he added, and the air around him rippled with heat as he shuddered. (I don't ever again want to emit the way I did after your pen went down. Some of those things hurt on the way out. And anyway, all that emission makes me nervous. Too much of that kind of thing and I could blow my quanta.) She looked up at him, worried. "Really? Have you emitted that much stuff that you're in danger of blowing up?" (Oh, not really — I'd have to lose a lot more mass first. After all, before I was a black hole, I was a respectable-sized blue-white star, and even those days I massed a few hundred thousand times what your cute little yellow-dwarf Sun does. I wouldn't worry about it—I'm nowhere near the critical threshold yet.) " 'Cute'?" Nita said. (Well, it is… And I suppose there's no harm in getting better at emis-| sions. I have been improving a lot. Wliat's that?) | Nita looked farther down in the box, dug deep, and came up with a| battered old fork. It was scratched and its tines were bent out of shape, but if was definitely silver, not stainless steel. "That's what I needed," she said| "Thanks, Fred. Now all I need is that piece of rowan wood, and then tonighf I go over my part of the spells again." (You sound worried.) ' "Well, yeah, a little," Nita said, getting up. All that week her ability to hear what the plants were saying had been getting stronger and surer; the better she got with the Speech, the more sense the bushes and trees made. "It's just—the rowan branch has to come off a live tree, Fred, and I can't just pick it—that'd be like walking up to someone and pulling one of their fingers off. I have to ask for it. And if the tree won't give it to rne , ." (Then you don't get your pen back, at least not for a while.) Fred shim-mered with colors and a feeling like a sigh. (I am a trouble to you.) "Fred, no. Put your light out a moment so we can get out of here." Nita interrupted the shopkeeper's intense concentration on a Gothic novel long enough to find out what the fork cost (a dollar) and buy it. A few steps outside the door, Fred was pacing her again. "If you're trouble, you're the best trouble that's happened around here for a while. You're good to talk to, you're good company — when you don't forget and start emitting cosmic rays—" Fred blazed momentarily, blushing at Nita's teasing. In an excited n* ment the night before he had forgotten himself and emitted a brief blast ultrashortwave radiation, which had heated up Nita's backyard a good ionized the air for miles around, and produced a local but brilliant ai (Well, it's an old habit, and old habits die hard. I'm working on it.) "Heat we don't mind so much. Or ultraviolet, the longwave kind doesn't hurt people's eyes," (You fluoresce when I use that, though...) Nita laughed. "I don't mind fluorescing. Though on second thought, don't do that where anyone but Kit can see. I doubt my mother'd understand." They walked home together, chatting alternately about life in the suburbs and life in P °f deep space close to the Great Galactic Rift. Nita felt niore relaxed than she had for months. Joanne had been out of sight since Monday afternoon at Tom and Carl's. Even if she hadn't, Nita had been practicing with that body shield, so that now she could run through the syllables of the spell in a matter of seconds and nothing short of a bomb dropped on her could hurt her. She could even extend the spell to cover someone else, though it wasn't quite so effective; she had a harder time convincing the air to harden up. But even that lessened protection would come in handy if she and Kit should be in trouble together at some point and there was no time to cooperate in a spelling. Not that she was expecting any more trouble. The excitement of a trip into the city was already catching at her. And this wasn't just another shopping trip. Magic was loose in the world, and she was going to help work some… She ate supper and did her homework almost without thinking about either, and as a result had to do much of the math homework twice. By the time she was finished, the sun was down and the backyard was filling with a cool blue twilight, In the front of the house, her mother and father and Dairine were watching TV as Nita walked out the side door and stood on the step, letting her eyes get used to the dimness and looking east at the rising Moon. Canned laughter echoed inside the house as Fred appeared by her shoulder. (My, that's bright for something that doesn't emit heat,) Fred said, looking at the Moon too. "Reflected sunlight," Nita said absently. (You're going to talk to the tree now?) "Uh huh." л (Then I'll go stay with the others and watch that funny box emit. Maybe II figure out what it's trying to get across.) 'Good luck," Nita said as Fred winked out. She walked around into the Mcyard, Spring stars were coming out as she stood in the middle of the lawn and °°Ked down the length of the yard at the rowan, a great round-crowned tree owy with white flowers. Nita's stomach tightened slightly with nervous- ' It had been a long time ago, according to her manual, that the trees had j> e to war on mankind's behalf, against the dark powers that wanted to P human intelligence from happening at all. The war had been a terrible ' *> lasting thousands of centuries—the trees and other plants taking more rnore land, turning barren stone to soil that would support them and the animals and men to follow; the dark powers breaking the soil with earthqu [. and mountain building, scouring it with glaciers, climate-changing good ground for desert, and burning away forests in firestorms far more terrible than the small brushfires any forest needs to stay healthy. But the trees and the other plants had won at last. They had spent many more centuries readying the world for men — but when men came, they forgot the old debts and wasted the forests more terribly than even the old dark powers. Trees had no particular reason to be friendly to people these days. Nita found herself thinking of that first tree that had spoken to her, angry over the destruction of its friend's artwork. Even though the rowan tree had always been well tended, she wasn't certain how it was going to respond to her. With the other ash trees, rowans had been in the forefront of the Battle; and they had long memories. Nita sighed and sat down under the tree, book in hand, her back against its trunk. There was no need to start right away, anyhow — she needed a little while to recover from her homework. The stars looked at her through the rowan's windstirred branches, getting brighter by the minute. There was that one pair of stars that always looked like eyes, they were so close together. It was one of the three little pairs associated with the Big Dipper. The Leaps of the Gazelle, the ancient Arabs had called them, seeing them as three sets of hoofprints left in the sky. "Kafza'at al Thiba," Nita murmured, the old Arabic name. Her eyes wandered down toward the horizon, finding a faint reddish gleam. "Regulus." And a whiter gleam, higher: "Arcturus." And another, and another, old friends, with new names in the Speech, that she spoke silently, remembering Carl's warning: (Elthathte. , ur'Senaahel…} The distant fires flickered among shadowy leaves. (Lahirien…) (And Methchane and Ysen and Cahadhwy and Rasaug6hil… .They are nice tonight.) Nita looked up hurriedly. The tree above her was leaning back comfortably on its roots, finished with the stretching-upward of growth for the day, and gazing at the stars as she was. (I was hoping that haze would clear off,) it said as silently as Nita had spoken, in a slow, relaxed drawl. (This will be a good night for talking to the wind. And other such transient creatures. I was wondering when you were going to come out and pay your respects, wizardling.) {Uh—) Nita was reassured: the rowan sounded friendly, fit's been a bus)' week.) (You never used to be too busy for me,) the rowan said, its whispery voice sounding ever so slightly wounded. (Always up in my branches you were, and falling out of them again. Or swinging. But I suppose you outgrew me.) Nita sat quiet for a moment, remembering how it had been when she w littler. She would swing for hours on end, talking to herself, pretending  k'nds of things, talking to the tree and the world in general. And some- _ (You talked back!) she said in shocked realization. (You did, I wasn't making it up.) (Certainly ! talked. You were talking to me, after all… . Don't be sur-nrised. Small children look at things and see them, listen to things and hear them. Of course they understand the Speech. Most of them never realize it any more than you did. It's when they get older, and stop looking and listening, that they lose the Speech, and we lose them.) The rowan sighed, many leaves showing pale undersides as the wind moved them. (None of us are ever happy about losing our children. But every now and then we get one of you back.) (All that in the book was true, then,) Nita said. (About the Battle of the Trees—) (Certainly. Wasn't it written in the Book of Night with Moon that this world's life would become free to roam among our friends there) — the rowan stretched upward toward the turning stars for a moment—(if we helped? After the world was green and ready, we waited for a long time. We started letting all sorts of strange creatures live in our branches after they came up out of the water. We watched them all; we never knew which of our guests would be the children we were promised. And then all of a sudden one odd-looking group of creatures went down out of our branches, and looked up-ward again, and called us by name in the Speech. Your kind… .) The tree looked down musingly at Nita. (You're still an odd-looking lot,) it said. Nita sat against the rowan and felt unhappy. (We weren't so kind to you,) she said. (And if it weren't for the plants, we wouldn't be here.) (Don't be downcast, wizardling,) the tree said, gazing up at the sky again. (It isn't your fault. And in any case, we knew what fate was in store for us. It was written in the Book.) (Wait a minute. You mean you knew we were going to start destroying your kind, and you got the world ready for us anyway?) (How could we do otherwise? You are our children.) (But … we make our houses out of you, we—) Nita looked guiltily at tne book she was holding. (We kill you and we write on your bodies!) The rowan continued to gaze up at the night sky. (Well,) it said. (We are all m the Book together, after all. Don't you think that we wrote enough in he rock and the soil, in our day? And we still do. We have our own lives, our ' clings and goals. Some of them you may learn by your wizardry, but I °ubt you'll ever come to know them all. We do what we have to, to live. ietimes that means breaking a rock's heart, or pushing roots down into ground that screams against the intrusion. But we never forget what we're g As for you)—and its voice became very gentle—(how else should our climb to the stars but up our branches? We made our peace with that fact a long time ago, that we would be used and maybe forgotten. So be it. What you learn in your climbing will make all the life on this planet greater, more precious. You have your own stories to write. And when it comes to that, who writes the things written in your body, your life? And who reads?) It breathed out, a long sigh of leaves in the wind. (Our cases aren't that much different.) Nita sat back and tried to absorb what the tree was saying. (The Book of Night with Moon,) she said after a while. (Do you know who wrote it?) The rowan was silent for a long time. (None of us are sure,) it said at last. (Our legends say it wasn't written. It's simply been, as long as life has been. Since they were kindled, and before.) It gazed upward at the stars. (Then the other Book, the dark one—) The whole tree shuddered. (That one was written, they say.) The rowan's voice dropped to a whisper. (By the Lone Power — the Witherer, the one who blights. The Kindlcr of Wildfires. Don't ask more. Even talking about that one or its works can lend it power.) Nita sat quiet for a while, thinking. (You came to ask something,) the rowan said. (Wizards are always asking things of rowans.) (Uh, yes.) (Don't worry about it,) the rowan said. (When we decided to be trees of the Light, we knew we were going to be in demand.) (Well — I need some live wood. Just enough for a stick, a little wand. We're going to open the Grand Central worldgatc tomorrow morning.) Above Nita's head there was a sharp cracking sound. She pressed back against the trunk, and a short straight branch about a foot and a half long bounced to the grass in front of her. (The Moon is almost full tonight,) the rowan said. (If I were you, I'd peel the leaves and bark off that twig and leave it out to soak up moonlight. I don't think it'll hurt the wood's usefulness for your spelling, and it may make it more valuable later on.) (Thank you, yes,) Nita said. The book had mentioned something of the sort — a rowan rod with a night's moonlight in it could be used for some kind of defense. She would look up the reference later. (1 guess I should go in and check my spells over one more time. I'm awfully new at this.) (Go on,) the tree said, with affection. Nita picked up the stick that the rowan had dropped for her, got up and stretched, looking up at the stars through the branches. On impulse she reached up, hooked an arm around the branch that had had the swing on it. (I guess I could still come and climb sometimes,) she said. She felt the tree looking at her, (My name in the Speech is Liused,) it said in leafrustle and starfhcker. (If there's need, remember me to the trees in Manhattan. You won't be without help if you need it.) ""I'm Nita," she said in the Speech, aloud for this once. The syllables didn't  sound strange: they sounded like a native language and made English feel like a foreign tongue. For a moment every leaf on the tree quivered with her name, speaking it in a whispery echo. (Go,) the rowan said again. (Rest well.) It turned its calm regard to the stars again. Nita went back inside. Saturday morning about eight, Kit and Nita and Fred took the bus down to the Long Island Railroad station and caught a shiny silver train for Manhattan. The train was full of the usual cargo of Saturday travelers and shoppers, none of whom paid any particular attention to the boy and girl sitting by one window, going over the odd contents of their backpacks with great care. Also apparently unnoticed was a faint spark of white light hanging in the center of the window between the two, gazing out in fascination at the backyards and parking lots and stores the train passed. (What are all those dead hunks of metal there? All piled up?) (Cars, Fred.) (I thought cars moved.) (They did, once.) (They all went there to die?) (They were dead when they got there, probably.) (But they've all climbed on top of each other! When they were dead?) (No, Fred. They have machines—) (What was that? There are three — I don't know who those were, but they have them shut up in a box hanging from that long thing.) (No one you know, Fred. That was a traffic light.) (It was emitting— Look, he's trying to say something! Hello! Hello!) (Fred, you're flashing! Calm down or someone'll sec you!) (Well, I don't know what a nice guy like him was doing in a place like that) Nita sighed out loud, "Where were we?" she said to Kit. "The battery." "Right. Well, here it is." 'Lithium-cadmium?" Right. Heavy thing, it weighs more than anything else we've got That's last thing for activating the piece of time, isn't it?" more. The eight and a half sugar cubes." Nita held up a little plastic bag. Now the worldgate stuff. The pine cone—" (